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[ecrea] Cinema 9 CFP: Islam and images
Wed May 03 23:18:22 GMT 2017
15th May 2017 - *ISLAM AND IMAGES*
The deadline for submission of abstracts for the next issue of Cinema -
Journal of Philosophy and the Moving Image
<http://cjpmi.ifilnova.pt/cfp> has been extended. We welcome abstracts
until 15th May 2017.
*CINEMA 9 CFP: - **Extendend deadline 15th May*
edited by
Patrícia Castello Branco (IFILNOVA)
Saeed Zeydabadi-Nejad (SOAS University of London)
Sérgio Dias Branco (University of Coimbra/IFILNOVA/CEIS20)
In recent times, due to significant political, mediatic and social, but
also aesthetic and artistic factors, we have witnessed an awakening of
interest in Islamic aesthetics and imagery.
Islamic art is intrinsically connected with religion, ethics, politics,
and social structures, as Islam is, for Muslims, not only a religion,
but a way of life. So, tackling the issue of “Islam and Images” is also,
necessarily, a gesture that includes all these spheres that, in our
Western secular culture, are often taken as separated fields.
This issue aims at discussing and analysing Islamic art and aesthetics,
with a special focus on the “modes of sense perception” embodied in
particular images, taken politically as forms of organization,
encompassing forms of visibility, ways of doing and making, and ways of
conceptualizing. In proposing this topic, we are particularly interested
in: discussing the philosophical understandings of Islamic imagery
production; their roots in the history of philosophy; the Islamic
tradition of aniconism and anti-ocularcentrism; its influences on styles
and movements in the history of art, namely abstract imagery; their
development in contemporary societies dominated by new technologies of
the moving image; the relationships between the classical and the
contemporary, the manual and digital, artefacts and technologies; as
well as the connections between Islamic art and secular art in
Muslim-majority countries.
Particular themes of interest include (but are not restricted to) the
following topics:
▪philosophical roots of Islamic visual aesthetics. (e.g., Plato,
Aristoteles, Al Ghazali, Avicenna, Averroes, Ibn Arabi, et al.);
▪the philosophy of Islamic artistic visual practices;
▪aniconism, abstraction and representation in Islamic art;
▪aniconism and the status of photographic and filmic images;
▪influences of Islamic aesthetics in Western art (classical and
contemporary), particularly painting and film;
▪verbal/visual divide in Islamic aesthetics and arts;
▪haptical dimensions of aesthetic experience in Islamic visual works;
▪different regimes of visibility in Islamic art tradition;
▪aesthetic experience and transcendence in Islam;
▪connections and interdependence between philosophy, theology, art,
politics and society in Islamic traditions.
*Plus:*
* specificities of Islamic thought and aesthetics in the Iberian
Peninsula;
* connections between Islamic and Christian aesthetics in the Iberian
Peninsula;
* mysticism in Islam and in Christianity, the Sufi tradition and early
Christian mystics, particularly in the Iberian Peninsula.
The submission deadline is April 30 (for 500-word abstracts).
Prospective authors should submit a short CV along with the abstract. A
selection of authors will be invited to submit full papers according to
the journal guidelines. Acceptance of the abstract does not guarantee
publication, since all papers will be subjected to double blind
peer-review. Submissions are accepted only in English.
Cinema also invites submissions to its special sections: interviews,
conference reports and book reviews. Please consult the web site
<http://cjpmi.ifilnova.pt/about/> of the journal for further details.
Feel free to contact the editors for this issue, Patrícia Castello
Branco <mailto:(ps.castellobranco /at/ gmail.com)> or Sérgio Dias Branco
<mailto:(sdiasbranco /at/ fl.uc.pt)>.
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