Archive for calls, August 2016

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[ecrea] CFP: Biblical Epics Collection

Mon Aug 22 20:10:25 GMT 2016




*CFP: /New Heart and New Spirit: Perspectives on the Modern Biblical Epic/*

**Apologies for Cross-Posting**

The extreme profitability of Mel Gibson’s /The Passion of the Christ/ in 2004 came as a great surprise to the Hollywood establishment, particularly considering its failure to find production funding through a major studio. Since this time, the big-budget mainstream biblical epic, long thought dead in terms of widespread marketability, has become a viable Hollywood studio product with regards to seeking both profits and critical acclaim, as well as outlets for auteurist ‘passion projects’ such as Gibson’s film, Darren Aronofsky’s /Noah/(2014), and Ridley Scott’s /Exodus: Gods and Kings/. With this year seeing two new fiction films featuring depictions of Jesus, the crucifixion, and resurrection [/Risen /(dir. Kevin Reynolds) and/ Ben-Hur /(dir. Timur Bekmambetov)], academic consideration of the modern biblical epic is both timely and highly relevant.

This is a preliminary call for papers and proposals for an edited collection using a broad range of approaches in the analysis of these films and this phenomenon specifically. Proposals can address, but are not limited to:

-Stylistic and narrative analysis

-Considerations of genre

-Historical and political contexts

-Industrial efforts to capitalise on this trend (see the short-lived Fox Faith studios in the mid 2000s and its products)

-Critical viability and acceptance

-Intersections of, or discord between, faith and fandom

-Representations of race and gender

-Auteurist analyses of these films

-Philosophical and more broadly theoretical approaches to these films and this trend.

*/Proposals and abstracts of approximately 300 words with a short bio can be submitted to Wickham Clayton by 31 September/*, at (wickscripts /at/ hotmail.com) <mailto:(wickscripts /at/ hotmail.com)> . Also feel free to email for expressions of interest and questions regarding the project.



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