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[ecrea] 50 Years of Film in Independent Africa Conference, 27-28 November, 2010
Thu Sep 30 07:47:15 GMT 2010
FILMING
AGAINST THE ODDS
Indaba on 50 Years of Film in Independent Africa
FINAL CALL FOR PAPERS
African Media Centre, University of Westminster,
London, UK / LONDON AFRICAN FILM FESTIVAL
Filming Against the Odds Conference, London, 27-28
November 2010
Keynote Speaker: Professor Ferid
Boughedir
Tunisian filmmaker and historian of
African cinema (his filmography includes Camera d'Afrique - Twenty
Years of African Cinema (1983); Camera Arabe (1987);
Halfaouine - Child of the Terraces (1995); A Summer in
Goulette (1996); Villa Jasmine (2008)).
New Abstract Deadline: 15 October
2010. Please e-mail your 200-word abstract to Helen Cohen at:
(journalism /at/ westminster.ac.uk)
Conference Fees:
Unwaged/Students:
£50
Waged/Non-Students: £125
Fees cover registration, conference pack, lunch,
coffee/tea and wine reception
Conference partners include the British Academy
of Film and Television Arts (BAFTA) and The Africa Channel (on Sky
TV 268)
Other confirmed speakers
include:
Barclays Foubiri Ayakoroma, National
Institute for Cultural Orientation, Nigeria
Brigitte Rollet, University of London
Institute in Paris, France
Daniela Ricci, Université Jean Moulin Lyon3-
Lyon, France
Guido Convents, Consultant, President of the
Belgian African Film Festival, Belgium
Ifeoma T. Amobi, Department of Mass
Communication, University of Lagos, Nigeria
Melissa Thackway, Freelance
critic/researcher, Paris, France
Melita Zajc, University of Maribor,
Ljubljana, Slovenija
Muhammed Musa, University of Canterbury, New
Zealand
Nnamdi John Ejekwumadu, Udongalasi
Foundation, Lagos, Nigeria
Nneka Onwusanya, Criminologist, London,
UK
Petty Sheila, Humanities Research Institute,
University of Regina, Canada
Ramota Koiki, Dept. of Mass Communication,
University of Lagos, Nigeria
Ros Gray, Department of Art, Goldsmiths
College, University of London, UK
Shaibu Husseini, Arts/Film Journalist, The
Guardian, Lagos, Nigeria
Stefanie Dresch, Academy for Film and
Television Konrad Wolf, Germany
Theresa I. Amobi, University of Lagos, Lagos,
Nigeria
Details of the Call:
The African Media Centre at the University of
Westminster is organizing a one-day conference on 50 years of filmmaking
in independent Africa. A half a century ago, Sub-Saharan Africa
welcomed independence with a wave of optimism. A new cinema was born,
championed by the Senegalese film-maker Ousmane Sembène. This new cinema
would provide a conduit of _expression_ for voiceless Africans – revealing
social conditions and sharing stories. Sembène's first short film, Borom
Sarret, was a watershed. It reached a worldwide audience with a plot
based on the tale of a poor cart driver whose tragic life mirrored the
hazards facing many ordinary people. Borom Sarret's issues became
dominant themes in African cinema. Prior to political independence,
colonial rule did not allow Africans to make their own films. African
independence seems to have given the environment needed to produce
African stories on the screen. Not only was political independence
a subject in films, but the environment it created gave an added impetus
to both independent and institutionally supported film-making in Africa.
African filmmakers have produced stories that celebrate success and
failure in their societies. African history, language and etymology are
evident in the ways in which some filmmakers have sought an independent
form to help indigenize the medium.
Today, Nigeria has become the centre of a lucrative home video industry
known as Nollywood. According to a recent UN statement, around 900
titles are released in Nigeria each year and bring revenue of about
£100m, and Nigeria has surpassed Hollywood to become the world's second
largest film producer after Bollywood. Movies are made on the cheap and
copies are exported, sold on the street, or distributed via increasing
numbers of video clubs. The film-makers have to work fast and around the
clock in their desperate attempt to fend off the pirates.
The contemporary African film industry is clearly of
global proportions. However, the questions that must be asked are: whose
languages are spoken in African film? What are the patterns of stories
that have been told so far? What formats do African filmmakers use? What
themes? How has funding affected what is produced? What are the politics
of film-making in Africa? Apart from development, education and
entertainment, has film on the continent advanced the emancipation of
Africans? What has been the relationship between political independence
and African film? The conference will include a session with leading
African filmmakers. Papers may include, but are not necessarily limited
to, the following:
- Precolonial film
in Africa
- Contemporary and
historical dimensions of film in Africa
- Language and
African film
- African languages
and film in Africa
- Global, national,
local aspects of film in Africa
- Screen media
Africa
- Identity politics
and the media in Africa
- Film funding in
Africa
- Educational film
in Africa
- Politics and film
in Africa
- Distributing
films in Africa
- Style and
aesthetics of African film
- History of
African film
- Film audiences in
Africa
Please e-mail your 200-word abstract to Helen Cohen
at:
(journalism /at/ westminster.ac.uk)
All submissions must include the title of the
conference, topic, an abstract and should list the author’s full name,
with contact information and affiliation. The deadline for the submission
of abstracts is 15 October 2010 and those whose abstracts are accepted
will be notified by 20 October 2010.
Dr. Winston Mano
Communication and Media Research Institute (CAMRI)
Department of Journalism and Mass Communication
School of Media, Arts and Design
University of Westminster
Harrow Campus
Watford Road
Harrow, Middlesex, HA1 3TP, UK
Tel: +44(0)2079115000 ext 4427
Fax:+44(0)2079115942
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Nico Carpentier (Phd)
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Vrije Universiteit Brussel - Free University of Brussels
Centre for Studies on Media and Culture (CeMeSO)
Pleinlaan 2 - B-1050 Brussels - Belgium
T: ++ 32 (0)2-629.18.56
F: ++ 32 (0)2-629.36.84
Office: 5B.401a
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European Communication Research and Education Association
Web:
http://www.ecrea.eu
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E-mail: (Nico.Carpentier /at/ vub.ac.be)
Web:
http://homepages.vub.ac.be/~ncarpent/
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