[ecrea] The Soundtrack/IDeoGRAMS Transmedia MusicS

/Transmedia Musics: Music Across Media/

The University of Leicester, IDeoGRAMS and /The Soundtrack/ invite all 
interested to attend this one-day conference examining the use and 
implications of music across media and the interrelationships between 
transmediality and musical adaptive processes. The day includes diverse 
talks from:

·John Harvey (Aberystwyth University) ‘Image and Inscription’: 
Sonification as an Interpretive Methodology in Biblical Textual and 
Visual Study’

·Richard Farmer (UEA) ‘Snap, Crackle and Rock? Pop Music and Television 
Advertising in the 1960s’

·Andrew Melrose (University of Winchester) ‘Product, Protest and 
Adscititious Placement: Writing Lyrical Protest Songs for film and TV’

·Armelle Blin-Rolland (Bangor University) ‘Synchronising Possibilities 
and Potentialities between Image and Music in Sound Comics’

·Paola Brembilla (Università di Bologna) ‘More Than a Soundtrack. The 
Role of Music in the /Nashville /World-Building’

·Marie-Claude Codsi (University of Edinburgh) ‘/The Hunger Games/ and 
transmedia promotion: how branding helped strengthen the music’s meaning’

·Rosemary Deller (LSE) ‘Straining to Hear: The Ethics of the Unavailable 
in Matthew Herbert’s One Pig’

·Teresa Forde (University of Derby) ‘From ‘Kirby Dreamland’ to 
‘Maquisard’: Aural Attraction, Videogame Aesthetics and a 
Mittel-European Soundtrack in The Grand Budapest Hotel’

There is a small attendance fee for those attending but not presenting 
(simply to cover refreshments costs at breaks) of £5 payable on the 
door. Lunch will be attendees own responsibility but we will make 
reservations is needed at one or more eateries (this will be clear on 
the booking form as a series of ‘free ticket’ options).

The conference will start with Registration at 9.30 and end at 17.30.

Please go here to make your bookings:

https://www.eventbrite.com/e/transmedia-musics-music-across-media-tickets-29018133017 


09.30 Registration

09.45 Welcome

10.00 Setting the Critical Context: Theorising Transmedia Music

·Led by Anna Claydon (University of Leicester) we begin the day by 
discussing what it is we mean by transmedia music(s) and how analysing 
music within the frame of transmedia theories helps develop and 
articulate new ways of thinking about how music functions across texts, 
genres and media.

11.00 Coffee/Tea

11.15 Panel 1

·Richard Farmer (UEA) ‘Snap, Crackle and Rock? Pop Music and Television 
Advertising in the 1960s’

·Andrew Melrose (Winchester) ‘Product, Protest and Adscititious 
Placement: Writing Lyrical Protest Songs for film and TV’

12.15 Panel 2

·Teresa Forde (University of Derby) ‘From ‘Kirby Dreamland’ to 
‘Maquisard’: Aural Attraction, Videogame Aesthetics and a 
Mittel-European Soundtrack in The Grand Budapest Hotel’

·Armelle Blin-Rolland (Bangor University) ‘Synchronising Possibilities 
and Potentialities between Image and Music in Sound Comics’

13.15 LUNCH

14.30 Plenary Talk

·John Harvey (Aberystwyth) ‘Image and Inscription’: Sonification as an 
Interpretive Methodology in Biblical Textual and Visual Study

15.30 Tea/Coffee

15.45 Panel 4

·Paola Brembilla (Università di Bologna) ‘More Than a Soundtrack. The 
Role of Music in the /Nashville /World-Building’

·Marie-Claude Codsi (University of Edinburgh) /The Hunger Games/ and 
transmedia promotion: how branding helped strengthen the music’s meaning

16.45 Panel 5 Difficult Listening: Constructing the Voice of the Other

·Rosemary Deller (LSE) ‘Straining to Hear: The Ethics of the Unavailable 
in Matthew Herbert’s One Pig’ – on the animal voice

·Respondent - Anna Claydon

17.30 Conclusion and End.

We do hope that you decide to come and join us for what I think will be 
a really stimulating day.

All best wishes

Anna

*Dr. E. Anna Claydon SFHEA
College of Social Sciences, Arts and Humanities PGT Manager, *

*Director of IDeoGRAMS,*


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