Archive for 2009

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[ecrea] Music, Sound, and the Moving Image: Vol 2, Issue 2 available now.....

Wed May 06 09:21:18 GMT 2009




Music, Sound, and the Moving Image
<http://msmi.lupjournals.org/>http://msmi.lupjournals.org/

Music, Sound, and the Moving Image is the first international scholarly journal devoted to the study of the interaction between music and sound with the entirety of moving image media ? film, television, music video, advertising, computer games, mixed-media installation, digital art, live cinema, et alia.

Co-edited by Anahid Kassabian (University of Liverpool) and Ian Gardiner (Goldsmiths College), the journal is truly interdisciplinary, inviting contributions across a range of critical methodologies, including musicology and music analysis, film studies, popular music studies, cultural theory, aesthetics,
semiotics, sociology, marketing, sound studies, and music psychology.


Volume 2, Issue 2 available now....
Special issue: The Future of Sound Studies: Guest editors: Tony Grajeda and Jay Beck

Position Papers
Tony Grajeda and Jay Beck
Introduction: The Future of Sound Studies

Mark Kerins
A Statement on Sound Studies

Jennifer Fleeger
Projecting an Aria, Singing the Cinema: In search of a shared
vocabulary for opera and film studies

Danijela Kulezic-Wilson
Sound Design is the New Score

Gregg Redner
Building a Deleuzian Bridge Between Music and Film Theories

Shannon Mattern and Barry Salmon
Sound Studies: Framing Noise

Allison Whitney
Cultivating Sonic Literacy in the Humanities Classroom

Martin Barnier
The Sound of the First French Television Advertisements

Michele Hilmes
Television Sound: Why the Silence? 153

Jonathan Sterne
Being ?In the True? of Sound Studies

Steve J. Wurtzler
One Future of Sound Studies Fits into the Palm of Your Hand

Translation
Antoine Hennion, trans. Jérôme Hansen
The Musicalisation of Visual Arts (1997)

Article
Jacob Smith
Tearing Speech to Pieces: Voice Technologies of the 1940s

Book Reviews
Robert Spadoni, Uncanny Bodies. The Coming of Sound Film and the
Origins of the Horror Genre
Review by Reynold Humphries

Steve J. Wurtzler, Electric Sounds: Technological Change and the Rise of
Corporate Mass Media
AND
William Whittington, Sound Design and Science Fiction
Review by Benjamin Wright

Find out more about the journal at <http://msmi.lupjournals.org/>http://msmi.lupjournals.org/

Alternatively <http://msmi.lupjournals.org/default.aspx?content=Subscriptions>click here to subscribe now



Music, Sound, and the Moving Image is published twice a year by Liverpool University Press, and is available both in print and online formats

CLARE HOOPER
JOURNALS EXECUTIVE, LIVERPOOL UNIVERSITY PRESS
4 Cambridge Street, Liverpool, L69 7ZU, UK Tel. +44-[0]151-794-3135, Fax +44-[0]151-794.2235 E: <mailto:(clare.hooper /at/ liverpool.ac.uk)>(clare.hooper /at/ liverpool.ac.uk) W: <http://www.liverpool-unipress.co.uk>www.liverpool-unipress.co.uk



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E-mail: (Nico.Carpentier /at/ vub.ac.be)
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