Archive for April 2003

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[eccr] EnterText, animation

Sat Apr 05 09:23:11 GMT 2003


>**********************************************************************
>
>[Apologies for cross-posting]
>
>Hi All,
>
>Please see the Call for Papers, below. EnterText is a peer-reviewed
>electronic journal, based in the Department of English at Brunel
>University. I am guest-editing this edition, themed around Animation
>as a topic. This can be understood broadly, to include work-in-
>progress, creative work etc, as well as more conventional scholarly
>essays. I would also like to include, if at all possible,
>contributions that integrate creative work with scholarly research.
>With regard to how I'm defining 'Animation' - well, over to you. The
>areas noted in the CFP are really just 'pointers', rather than
>concrete 'boundaries'.
>
>Please forward this to anyone you think might be interested. If there
>are any queries, please contact me. Anyone who is thinking of
>contributing something that includes creative/practical work, please
>bear with me, as I am something of a novice in this particular area!
>Any advice would be appreciated, actually, on how to 'publish'
>creative work in this kind of electronic context.
>
>Cheers
>
>Paul Ward
>
>Here's the text of the CFP:
>
>
>**********************************************************************
>
>ENTERTEXT
>
>An interactive interdisciplinary e-journal for
>cultural and historical studies and creative work
>
>
>EnterText 4.1:  Animation
>
>
>This special issue on animation focuses on, but is by no means
>limited to:
>
>. Historical and contextual studies of specific animators or
>animated films, traditions or styles
>
>. Explorations of how new technologies are changing our
>perception of animation as a distinct object or set of practices
>
>. The convergence between live action and animated forms
>
>. Animation and spectatorship
>
>. Critical reflection by animation practitioners on their own
>work, or the work of others (essays may be illustrated by animation
>clips or still images, so there is an opportunity for contributors to
>explore `annotated' work)
>
>Note: EnterText welcomes the submission of creative work. Stand-alone
>animation work will also be considered for inclusion, within the
>capabilities of the online journal forum. Scripts, work-in-progress
>and other projects will also be considered.
>
>For more information about EnterText, notes for contributors, and
>previous editions, go to www.brunel.ac.uk/faculty/arts/EnterText/
>
>Deadline for submissions: 1st November 2003 [though work can be submitted
>ongoingly up to this date]
>
>If you have a question about a potential submission, please contact
>the edition Editor, Paul Ward ((paul.ward /at/ brunel.ac.uk)).
>
>
>***************************************
>Paul Ward
>Lecturer in Film and Television Studies
>Dept. of Performing Arts
>Brunel University
>Uxbridge UB8 3PH, UK
>01895 274 000 ext 3956
>***************************************

-----------------------------------------------------------------------
Carpentier Nico (Phd)
Vrije Universiteit Brussel - Free University Brussels
Studies on Media, Information & Telecommunication (SMIT)
Centre for Media Sociology (CeMeSO)
Office: C0.05
Pleinlaan 2 - B-1050 Brussels - Belgium
T: ++ 32 (0)2-629.18.30
F: ++ 32 (0)2-629.28.61
E-mail: (Nico.Carpentier /at/ vub.ac.be)
W1: http://smit.vub.ac.be/
W2: http://homepages.vub.ac.be/~ncarpent/
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