Archive for publications, 2024

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[Commlist] new special issue published: Cinematic Continuities, Changes and Challenges in Europe: Reflections on Recent Shifts in European Cinema

Sun Apr 07 23:24:59 GMT 2024


Vol. 23 No. 41 (2023): Cinematic Continuities, Changes and Challenges in Europe: Reflections on Recent Shifts in European Cinema View Vol. 23 No. 41 (2023): Cinematic Continuities, Changes and Challenges in Europe: Reflections on Recent Shifts in European Cinema

Edited by Daniel Biltereyst, Elena Gipponi and Andrea Miconi

This theme issue is a result of research done in the context of the Horizon 2020 project “European Media Platforms: Assessing Positive and Negative Externalities for European Culture-EUMEPLAT”, funded by the European Commission in Grant Agreement Number 101004488. It deals with some main research questions: how has the US filmed entertainment industry succeeded in expanding its hegemony? Are US streamers, such as Netflix, now setting the standard, and what are the consequences for European cinema? Is it beneficial to respond to, or challenge, this hegemony? Should we not strive to overcome the antagonism between Hollywood and Europe, and acknowledge European cinema’s marginalized position while fully recognizing the richness of its hybrid and hyphenated identities? Other related questions in this issues deal with how European filmmakers and cultural institutions envision new realities and redefine socio-economic and cultural boundaries within and beyond Europe? What narratives does European cinema construct about the old continent, about inclusion and diversity, or about issues such as poverty, precarity, migration, and other pressing concerns? How do films navigate across borders? What is the role of language, and should European filmmakers consider moving away from Europe’s multilingualism to embrace English, the cinematic lingua franca? Are European co-productions viable strategies for overcoming cultural, linguistic, and other obstacles?


Introduction

Quo Vadis, Cinema Europaeum? Reflections on European Cinema in Digital Times
    Daniel Biltereyst, Elena Gipponi, Andrea Miconi
    9-20

Thematic issue / Section thématique

Neoliberalism and the Mutations of Social Realism in Contemporary European Cinema
    Temenuga Trifonova
    21-40

Theatrical Release Windows: A Playground for “Cultural Exception” Policies?
    Mariagrazia Fanchi, Massimo Locatelli
    41-55

Cinema Co-production, Film Distribution in Multiple Languages and Inequality in the Global Language System: A Call for Robust Public Data
    Alan Shipman, Ann Vogel
    57-72

    Audience Impact of European Co-production: The Case of Quo Vadis, Aida?
    Tamara Kolarić, Petar Mitrić
    73-93

Decentering Nations: The Role of National Institutes for Culture in the Promotion and Circulation of European Cinema
    Annalisa Pellino
    95-114

Popular European Cinema in the Platform Era: Circulation Cultures on YouTube
    Valerio Coladonato, Dom Holdaway, Arianna Vietina
    115-136

La collecte statistique sur le commerce cinématographique entre les États-Unis et l’Europe: une esquisse historique
    André Lange
    137-155

Beyond Cinema

Une goutte d’eau, une goutte d’étoiles. Microcinématographie et avant-garde dans les années 19
    Maria Ida Bernabei
    159-178

Reviews / Comptes rendus

Michael Gott, Screen Borders. From Calais to cinéma-monde, Manchester: Manchester University Press, 23, pp. 216
    Massimiliano Coviello
    181-183

Precarity in European Film: Depictions and Discourses, Edited by Elisa Cuter, Guido Kirsten, and Hanna Prenzel, Berlin: De Gruyter, 22, pp. 374
    Eduard Cuelenaere
    185-187

Jussi Parikka, Operational Images: From the Visual to the Unvisual, Minneapolis: University of Minnesota Press, 23, pp. 296
    Barbara Grespi
    189-191

Projects & Abstracts

Horizon – EUMEPLAT – European Media Platforms: Assessing Negative and Positive Externalities for European Culture
    Andrea Miconi
    195-196

ABSTRACT PRIN 17 – Italian Na(rra)tives: The International Circulation of “Brand Italy” in the Media
    197-198

    ABSTRACT PRIN 17 – DaMA – Drawing a Map of Italian Actresses in Writing
    199-1

ABSTRACT PRIN 17 – Modes, Memories and Cultures of Italian Film Production 1949–1976
    202-203

ABSTRACT PRIN 17 – Free-range chicken. Cinema and the New Culture of Consumption in Italy (1950–1973)
    204-205



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