Archive for publications, 2024

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[Commlist] The Soundtrack 15.1 - Special Issue: 'Screenwriting Sound and Music' - published

Fri Apr 05 20:24:14 GMT 2024





Intellect is pleased to announce that The Soundtrack 15.1 is out now!


Special Issue: ‘Screenwriting Sound and Music’


Extensive research in film and media studies on film music and sound has delved into various aspects of their role in cinema, recognizing their significance. However, a crucial element in film production – the screenplay – has often been overlooked in the exploration of sound and music integration. Concurrently, studies on screenwriting have displayed limited interest in the acoustic dimensions of film, creating a research gap where film music studies intersect with screenwriting studies. This Special Issue aims to address this gap by emphasizing the screenplay’s importance in comprehending the role of sound and music in film.


For more information about the journal and issue click here>>

https://www.intellectbooks.com/the-soundtrack <https://www.intellectbooks.com/the-soundtrack>


Aims & Scope


The Soundtrackis a multi-disciplinary, double-blind peer-reviewed journal that brings together research in the area of music and sound in relation to film and other moving image media, including television, games and installations. A complex cultural, technological, industrial and artistic phenomenon, sound-with-moving image is a rich area for analysis, investigation and speculation. We encourage writing that is accessible to audiences from a diversity of intellectual backgrounds and disciplines as well as providing a forum for practitioners to discuss and describe their work. The Soundtrack's aim is to nurture this new and expanding area of academic investigation in dialogue with soundtrack producers of all kinds.


Issue 15.1


Editorial


Screenwriting sound and music: Towards a new field of study <https://intellectdiscover.com/content/journals/10.1386/ts_00023_2>

PASCAL RUDOLPH AND CLAUS TIEBER


Articles


‘Music is like a ribbon that knits the storylines together’: The musicality of Greta Gerwig’s Little Women <https://intellectdiscover.com/content/journals/10.1386/ts_00024_1>

ANIKA BABEL


Cinema Novo vs. Beatlemania: Discovering the use of sound and music in two unfilmed and <https://intellectdiscover.com/content/journals/10.1386/ts_00025_1> unpublished Brazilian screenplays from the mid-1960s <https://intellectdiscover.com/content/journals/10.1386/ts_00025_1>

MARCELO C. MELLO


‘Can you hear me?’ ‘Son sur le scenario’: The act of writing sound in Mark Jenkin’s script <https://intellectdiscover.com/content/journals/10.1386/ts_00026_1> of Enys Men (2022) <https://intellectdiscover.com/content/journals/10.1386/ts_00026_1>

KINGSLEY MARSHALL


Writing sound in the screenplay: Traditions and innovations <https://intellectdiscover.com/content/journals/10.1386/ts_00027_1>

GABRIEL M. PALETZ


Writing on screens: (Re-)mediating music and sound through captions <https://intellectdiscover.com/content/journals/10.1386/ts_00028_1>

JAMES DEAVILLE


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