[Commlist] new book: Is it French? Popular Postnational Screen Fiction from France

You may be interested in the publication of this Open Access book: Is it 
French? Popular Postnational Screen Fiction from France | SpringerLink 
<https://link.springer.com/book/10.1007/978-3-031-39195-8#toc> The Table 
of Contents is:

Mary Harrod and Raphaëlle Moine, ‘Introduction: The Expanding 
Imagination of Mainstream French Films and Television Series’

*/Section 1: New Figures, New Voices/*

Mary Harrod, ‘From ImpersoNation to ImPosture: (Sub)urban Fantasy in 
Fanny Herrero’s /Dix pour cent /and/ Drôle/’

Gemma King, ‘Sign Language, Multilingualism and the Postnational Popular 
Screen: From /La Famille Bélier/ and /Marie Heurtin /to /La Révolution/’

Reece Goodall, ‘Alexandre Aja: A Postnational Genre Auteur?’

*/Section 2: Embodying the Postnational: Fans, Filmmakers, Action 
Spectaculars/*

Thomas Pillard, ‘An Alternative to Hollywood? EuropaCorp’s 
“Blockbusters” and the Global Audience’

Isabelle Vanderschelden, ‘The Limits of Luc Besson’s “Made-in-France” 
Blockbusters: From the Transnational to the Postnational in /Valerian 
/and /Anna/’

Charlie Michael, ‘Whose /Lost Bullet/? Netflix, Cultural Politics and 
the Branding of French Action Cinema’

*/Section 3: French Femininity and (Post)Feminism/*

Gwénaëlle Le Gras, ‘Charlotte Rampling /Made in France/: From a National 
to a Postnational Identity’

Ginette Vincendeau, ‘National and Postnational Femininity in 
/Engrenages/://The Limits of Empowerment’

Anne Kaftal, ‘Camille Cottin: A Comic Reappropriation of French 
Femininity in a Globalised, Postfeminist Culture’

*/Section 4: Industry Players: From Product to Brand/*

Christopher Meir, ‘/Depuis que le Streaming Existe/?: Gaumont and French 
Cinema in the Streaming Era’

David Pettersen, ‘Netflix’s /Lupin/: Cultural Heritage//and 
Internationalisation in the Age of Global SVoD Platforms’

‘An Industry Perspective on /Dix pour cent /and /Ten Percent/.’ 
Interview with Harold Valentin and Christian Baute.


The book is the fruit of an Arts and Humanities Research Council 
Networking grant Producing the Post-National Popular (warwick.ac.uk) 
<https://warwick.ac.uk/fac/arts/modernlanguages/research/french/currentprojects/postnationalpopular> and 
the editors thank the AHRC for their generous support, as well as the 
project steering committee, the University of Warwick's Open Access team 
who have facilitated making it available to everyone and, most important 
of all, the book's contributors for all their hard work, insights and 
collegiality.


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