[Commlist] Philosophy of Photography 13.2 published (Special Issue: ‘Violence, Part 1’)

Intellect is pleased to announce that Philosophy of Photography 13.2 is 
out now!


Special Issue: ‘Violence, Part 1’


In 2022, we issued a call for contributions on questions of violence. 
The response was substantial and qualitatively rich enough that we will 
devote two full issues to the topic, this issue, POP 13.2 and the next, 
POP 14.1.


Photography’s ubiquity means that it touches all realms of life. Indeed, 
it has arguably taken on a new and fundamental characteristic as the way 
that things emerge in heavily technologized societies. Violence is 
undoubtedly a determining category of this mode of society. Is violence, 
then, photographic? If so, is this a contingent fact or a necessary 
condition?


For more information about the journal and issue click here>>

https://www.intellectbooks.com/philosophy-of-photography 
<https://www.intellectbooks.com/philosophy-of-photography>


Aims & Scope


This international peer-reviewed journal aims to provide a forum for 
theoretical and critical debates arising from the historical, political, 
cultural, scientific and critical matrix of ideas, practices and 
techniques that constitute photography as a multifaceted and changing 
form. In a contemporary context, characterized by its diversity and 
rapid rate of transformation, the conjunction of 'philosophy' and 
'photography' in the journal's title is intended to provoke reflection 
on the ways in which existing and emergent discourses might engage with 
each other to inform our understanding of the photographic.


This title is indexed with the Web of Science’s Emerging Sources 
Citation Index (ESCI).


Issue 13.2


Editorial 
<https://intellectdiscover.com/content/journals/10.1386/pop_00057_2>


Interview


Killing for Show: Interview with Julian Stallabrass 
<https://intellectdiscover.com/content/journals/10.1386/pop_00058_7>

JULIAN STALLABRASS, ALEX FLETCHER AND ANDREW FISHER


Articles


‘A knife without a blade, for which a handle is missing’: On the 
pleasure of photographic violence 
<https://intellectdiscover.com/content/journals/10.1386/pop_00059_1>

DANIEL RUBINSTEIN


Landscape and autopsy: Photography and the natural history of capital 
<https://intellectdiscover.com/content/journals/10.1386/pop_00060_1>

ALBERTO TOSCANO


Shot/countershot: Essaying images of war and violence in the work of 
Harun Farocki, Hito Steyerl and Rabih Mroué 
<https://intellectdiscover.com/content/journals/10.1386/pop_00061_1>

ALEX FLETCHER


Life and death in the production of a Factographic object 
<https://intellectdiscover.com/content/journals/10.1386/pop_00062_1>

ANDREW FISHER


Photowork


‘Negative’ 
<https://intellectdiscover.com/content/journals/10.1386/pop_00063_7>

JIMMY LEE


Commentary


Loss of vision: On emotional affects caused by representation of 
violence in the case of Russia’s war against Ukraine and beyond 
<https://intellectdiscover.com/content/journals/10.1386/pop_00064_7>

MYKOLA RIDNYI


Book Reviews


Toward the Critique of Violence: A Critical Edition, Walter Benjamin, 
Peter Fenves (ed.) and Julia Ng (ed.) (2021) 
<https://intellectdiscover.com/content/journals/10.1386/pop_00065_5>

SEBASTIAN TRUSKOLASKI


A Black Gaze: Artists Changing How We See, Tina M. Campt (2021) Dark 
Mirrors, Stanley Wolukau-Wanambwa (2021) 
<https://intellectdiscover.com/content/journals/10.1386/pop_00066_5>

FLORA DUNSTER


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