[Commlist] Latest issue of Music, Sound, and the Moving Image published

Liverpool University Press is pleased to inform you of the latest 
content in /MUSIC, SOUND, AND THE MOVING 
IMAGE/<https://www.liverpooluniversitypress.co.uk/journal/msmi>//(MSMI), 
a highly regarded publication that is essential reading for those 
working in and researching the study of the interaction between music 
and sound in moving image media.

Volume 17.1 includes the second audio-visual essay in the journal’s new 
initiative. This time Sureshkumar P. Sekar explores what is lost in 
translation when a South Indian film is overdubbed and its score is 
performed without Indian melodic instruments, it is available to view 
for free.

Watch the latest audio-visual essay 
><https://www.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.4>

The issue also includes articles exploring the effect of intensified 
continuity on character engagement; the construction of sonic space in 
Michelangelo Antonioni’s /The Passenger/; and acoustemologies of the 
carceral in the prisons of classical Hollywood.

Browse all articles > 
<https://www.liverpooluniversitypress.co.uk/toc/msmi/17/1>

Read a free issue > 
<https://www.liverpooluniversitypress.co.uk/toc/msmi/14/1>


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_Table of contents_

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*ESSAYS*

BODY 
MUSIC<https://www.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.1>

NAOMI GRABER

THE ARCHITECTURE OF FILM 
SOUND<https://www.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.2>

PAUL NEWLAND

IN THE 
SLAMMER<https://www.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.3>

ELI BOONIN-VAIL

THIS AUDIOVISUAL ESSAY IS FREE TO READ/AUDIOVIEW

VIDEO ESSAY: INSINCERE INCLUSION? IGNORANT APPROPRIATION? A SYMPHONY 
ORCHESTRA PLAYS SOUTH INDIAN FILM 
MUSIC<https://www.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.4>

SURESHKUMAR P. SEKAR

*BOOK REVIEWS *

BOOK 
REVIEWS<https://www.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.5>

ALEXANDER BINNS AND JAMES MILLEA

*CONTRIBUTORS*

CONTRIBUTORS TO ISSUE 
17:1<https://www.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.6>

**


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