[Commlist] Journal of Italian Cinema & Media Studies 11.3-4 published (Special Issue: ‘Intersections between Italian and Slavic Cinemas’)

Intellect is pleased to announce that Journal of Italian Cinema & Media 
Studies 11.3-4 is out now.


Special Issue: ‘Intersections between Italian and Slavic Cinemas’


The purpose of this issue is to explore the encounter between Italy and 
Central, Eastern and Southeastern Europe and Russia during and after the 
Soviet period, as well as the fervid cooperation and fruitful 
co-productions between the film industries in this vast geographic region.


For more information about the journal and issue click here>>

https://www.intellectbooks.com/journal-of-italian-cinema-media-studies 
<https://www.intellectbooks.com/journal-of-italian-cinema-media-studies>


Aims & Scope


Journal of Italian Cinema & Media Studiesis a fully peer-reviewed, 
English-language journal, which explores Italian cinema and media as 
sites of crossing, allowing critical discussion of the work of 
filmmakers, artists in the film industry and media professionals. The 
journal intends to revive a critical discussion on the auteurs, 
celebrate new directors and accented cinema and examine Italy as a 
geo-cultural locus for contemporary debate on translocal cinema.


Issue 11.3-4


Editorial


Intersections between Italian and Slavic cinemas 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00188_2>

FLAVIA LAVIOSA


Articles


The journey of a century 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00189_1>

OLGA STRADA AND CLAUDIA OLIVIERI


The Slavic connection in Luchino Visconti’s ‘German trilogy’: 
Dostoevskian demonism as German apocalypse in The Damned 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00190_1>

HELENA GOSCILO


Italy through Russian eyes: Italy’s evolving imagined geography in 
Russian cinema 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00191_1>

JILL MARTINIUK


The influence of Tarkovsky on the mystical gaze in Pontecorvo’s Fatima 
(2020) 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00192_1>

FLORIN-ALEXANDRU IORDACHE


Andrei Tarkovsky, Kazimierz Kutz and Federico Fellini: References and 
counterpoints 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00193_1>

MIRIAM SHRAGER AND NATALIA MATSKEVICH-LEVIN


Slow narration in Voyage in Time by Andrei Tarkovsky and Tonino Guerra 
(1983) 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00194_1>

SVETLANA SIDOROVA


Alexandre Volkoff’s Casanova (1927): Text, myth, film 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00195_1>

MARITA GUBAREVA


Soviet children’s film adaptations: Cipollino (1959–64) 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00196_1>

KATARZYNA BIERNACKA-LICZNAR


Rino Lupo before Portugal, Russia and Poland: A biography for poetics 
under construction 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00197_1>

CATERINA CUCINOTTA


Aldo Vergano, Umberto Barbaro and Devil’s Ravine: Italian filmmakers in 
early People’s Poland: 1948–56 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00198_1>

ANNA MILLER-KLEJSA


What are we fighting for? Michał Waszyński’s Italian-Polish films on the 
Second World War 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00200_1>

KAROL JÓŹWIAK


Reception of neorealist films in the Polish Film School 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00199_1>

EWA BASZAK


The view from Warsaw: Italian neorealism in Stalinist-era Poland 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00201_1>

JOLANTA DYGUL


(Un)desired others: Central Eastern European refugees in post-war 
Italian cinema 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00202_1>

KAROL JÓŹWIAK AND ORSOLYA KATALIN PETOCZ


Timber, horses and dollars in free currency: Film policy cycles and the 
Italian-Yugoslav 1957 co-production agreements 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00203_1>

FRANCESCO DI CHIARA AND PAOLO NOTO


Interviews


In search of beauty: Anticipating the ‘new Renaissance’ of Italian 
cinema: Interview with Lora Guerra 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00204_7>

SVETLANA SIDOROVA


New Italian Cinema Events in Russia: Interview with Viviana del Bianco 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00205_7>

FLAVIA LAVIOSA AND ANASTASIA GRUSHA


Ruskino Film Festival: Interview with Silvia Burini 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00206_7>

FLAVIA LAVIOSA AND ANASTASIA GRUSHA


The Trieste Film Festival: Interview with Nicoletta Romeo 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00207_7>

FLAVIA LAVIOSA AND ANASTASIA GRUSHA


Translation


‘The poetics of contradictions’: Pier Paolo Pasolini interviewed by Vera 
Gancheva 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00208_7>

STANIMIR PANAYOTOV


Television Reviews


CIAO, 2020! (2020), Russia: Perviy kanal 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00209_5>

DIEGO BONELLI


CIAO, 2021! (2022), Russia: Perviy kanal 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00210_5>

DIEGO BONELLI


Film Reviews


Andrej Tarkovskij: Il cinema come preghiera (Andrei Tarkovsky: A Cinema 
Prayer), Andrei A. Tarkovsky (dir.) (2019), Italy: Andrei Tarkovsky 
International Institute, Klepatski Production, Hobab and Revolver 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00211_5>

GIULIA MARCUCCI


Fiamme sul mare (Fire over the Sea), Michał Waszyński (dir.) (1948), 
Italy: Sirena Film 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00212_5>

KAROL JÓŹWIAK


Book Review


Italia–Russia: Un secolo di cinema, Italija–Rossija: Vek kino, Olga 
Strada and Claudia Olivieri (eds) (2020) 
<https://intellectdiscover.com/content/journals/10.1386/jicms_00213_5>

VIKTORIA PARANYUK


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