[Commlist] Latest issue of French Screen Studies published - Sciamma Special Issue

Our much anticipated special double issue of /French Screen 
Studies/ (23.ii-iii) on *‘**The Films of Céline **Sciamma: A**Cinema of 
Youth and Desire’*,guest edited by Frances Smith, is now available here 
<https://www.tandfonline.com/toc/rsfc21/current>. The contents – 
including many Open Access articles – are as follows:

  *
    Frances Smith editorial, ‘The Films of Céline Sciamma: ACinema of
    Youth and Desire’

<https://www.tandfonline.com/doi/full/10.1080/26438941.2023.2213013> OPEN
    ACCESS

  *
    Isabelle Vanderschelden and Sarah Leahy, ‘Céline Sciamma’s
    screenwriting: ‘building an architecture of multiple desires’

<https://www.tandfonline.com/doi/full/10.1080/26438941.2022.2151154> OPEN
    ACCESS
  * Ellie Smith, ‘“Des plafonds dans les yeux”: representing the New
    Town in /Naissance des pieuvres /(Céline Sciamma, 2007)’

<https://www.tandfonline.com/doi/full/10.1080/26438941.2022.2153450> OPEN
    ACCESS

  * Frances Smith, ‘The rules of the game: sports and the gendered body
    in Céline Sciamma’s youth films’**

<https://www.tandfonline.com/doi/full/10.1080/26438941.2022.2151152>OPEN
    ACCESS

  * Fiona Handyside, ‘From sisterhood to matrophobia: reading the family
    romance in the films of Céline Sciamma’

<https://www.tandfonline.com/doi/full/10.1080/26438941.2023.2181925>OPEN
    ACCESS

  * Clara Bradbury-Rance, ‘Lesbian Legibility and Queer Legacy in Céline
    Sciamma’s /Portrait de la jeune fille en feu/Portrait of a Lady on
    Fire/ (2019)

<https://www.tandfonline.com/doi/full/10.1080/26438941.2022.2148375> OPEN
    ACCESS
  *
    Susan Potter, ‘Sex scene and Unseen: /Portrait de la jeune fille en
    feu/ (Céline Sciamma, 2019)’
    <https://www.tandfonline.com/doi/full/10.1080/26438941.2022.2152579>
  * Emma Wilson, ‘The Love Song of Nelly and Marion: Céline Sciamma’s
    /Petite maman/ (2021)’
    <https://www.tandfonline.com/doi/full/10.1080/26438941.2023.2181926>

  * Mary Harrod, ‘Staging the generic self: Céline Sciamma’s
    autofictional praxis’

<https://www.tandfonline.com/doi/full/10.1080/26438941.2022.2149171>OPEN
    ACCESS
  * Ginette Vincendeau, ‘“Why has Céline Sciamma become so iconic?” The
    auteure as celebrity’

<https://www.tandfonline.com/doi/full/10.1080/26438941.2022.2151239> OPEN
    ACCESS
Delegates at the Doing Women's Film and Television History VI conference 
at the University of Sussex (June 14-16) will have the opportunity to 
attend the launch of the special issue and hear short presentations from 
some of the its authors. For more information and registration, please 
see https://dwftvhvi.wordpress.com/ <https://dwftvhvi.wordpress.com/>


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