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[ecrea] Journal of Peer Production #11: CITY
Mon Mar 12 23:32:20 GMT 2018
The new special issue of the Journal of Peer Production on CITY is
published!
http://peerproduction.net/issues/issue-11-city
It showcases a wide variety of case studies in cities from different
geographies of the Global North and Global South namely *Barcelona,
Berlin, Brisbane, Brussels, Ciudad Juárez, Dhaka, Genoa, London,
Melbourne, Milan, New York, Paris, Rosario. *
Some of those case studies focus more on peer production technologies
and others more on the social and political processes on the ground, all
with different research methodologies and approaches. They invite us to
reflect on various forms of peer production of knowledge and
representation of the city as a commons, where technology should be
considered as both a tool (infrastructure) and a contested space. They
look at challenges of governance focusing on citizen-driven models of
peer production in the city where local governments are called to be in
dialogue and build synergies with different stakeholder communities.
They use participatory and collaborative methods to collect their data
following co-creative research approaches. They are transdisciplinary as
much as interdisciplinary in both the methodological and theoretical
approaches taken by contributors who merge together urban studies,
architecture, informatics, political and social sciences, and
ethnography to name a few. The authors collaborated directly - as
activists or through their research with other activists, communities
and/or stakeholders- giving voice to all those involved in the making
and sharing of those projects.
In numbers, there are *eight case study research papers* which have been
peer-reviewed and revised through the particularly transparent review
process of JoPP (i.e. for each of the peer-reviewed papers the
originally submitted version, the reviews and the final feedback of
reviewers on the revised version are made public) and *four experimental
contributions* that have been reviewed by the special issue editors. The
experimental pieces follow a less rigorous and more playful format, an
interview with commentary, a dialogue, a call for participation, and an
open-ended online article. They all invite us, the readers, to follow up
their stories in dedicated online venues, or even in face-to-face
meetings, and participate in the form of peer production that they
advocate for.
Along similar endeavours opening up to possibility and hope in the midst
of uncertainty, these twelve stories of peer production, most of them
positive and encouraging, document and analyse different forms of
citizen engagement and participation. They are good examples of situated
action that can provide inspiration and eventually help to build tools,
toolkits, best practices, patterns, and methodologies. As editors, we
learned a great deal while putting together these contributions, all
different in style, context, and methodology. We hope that they will
prove inspiring and empowering for all readers as well to engage as
citizens-activists, co-creators, insurgent architects, who appropriate
and contextualise urban technologies and materialities to serve local
collective needs.
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