Archive for publications, 2018

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[ecrea] New Book: Live and Recorded: Music Experience in the Digital Millennium

Wed Mar 07 17:22:42 GMT 2018





Live and Recorded: Music Experience in the Digital Millennium, by Yngvar Kjus.


The book is part of Palgrave Macmillan’s series on Pop Music, Culture and Identity, and is available here: www.palgrave.com/gp/book/9783319703671 <https://www.palgrave.com/gp/book/9783319703671>

This book uncovers how music experience–live and recorded–is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume is inspired by the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience. The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and psychology.

Contents:

1. Setting the Scene

2. Music, Media, and Mentalization

3. Creating Studios on Stage

4. Immersing in Performances and Recordings

5. Bridging Concerts and Records

6. The Live, the Dead, and the Digital

Palgrave Macmillan | February 2018 | 184pp | 9783319703671 | £ 72 (20% discount with this code: PM18TWENTY)

Yngvar Kjus (PhD) is a researcher in the Department of Media and Communication at the University of Oslo. His recent work has been published in /Media, Culture and Society/, /Popular Music/, /New Media and Society/, /Popular Communication/, and /Popular Music and Society/.


The book is a result of the research project Clouds and Concerts, which was a collaboration between the Department of Musicology and the Department of Media and Communication at the University of Oslo. (www.hf.uio.no/imv/english/research/projects/cloudsandconcerts/ <http://www.hf.uio.no/imv/english/research/projects/cloudsandconcerts/>)


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