[ecrea] Music, Sound, and the Moving Image, Vol 4, Issue 1

>
>Music, Sound, and the Moving Image
><http://liverpool.metapress.com/content/121629/>http://liverpool.metapress.com/content/121629/ 
>
>
>is the first international scholarly journal 
>devoted to the study of the interaction between 
>music and sound with the entirety of moving 
>image media  film, television, music video, 
>advertising, computer games, mixed-media 
>installation, digital art, live cinema, et alia.
>
>Co-edited by Anahid Kassabian (University of 
>Liverpool) and Ian Gardiner (Goldsmiths 
>College), the journal is truly 
>interdisciplinary, inviting contributions across 
>a range of critical methodologies, including 
>musicology and music analysis, film studies, 
>popular music studies, cultural theory, 
>aesthetics, semiotics, sociology, marketing, 
>sound studies, and music psychology.
>
>Volume 4, Issue 1 now available!!!
>
>Music, Sound and the Moving Image 4.1 (Spring 2010)
>Contents
>
>Lori Burns and Jada Watson: Subjective 
>Perspectives through Word, Image and 
>Sound:Temporality, narrative agency and embodiment in the
>Dixie Chicks video Top of the World
>Tina Rigby Hanssen: The Whispering Voice: 
>Materiality, aural qualities and the 
>construction of memories in the work of Janet Cardiff and George Bures Miller
>Michael Slowik: The Plasterers and Early Sound Cinema Aesthetics
>Kyle S. Barnett: The Selznick Studio, 
>Spellbound and the Marketing of Film Music
>
>Review Article: Barry Salmon on Theodor W. 
>Adorno & Hanns Eisler: Komposition für den Film (new edition with DVD)
>
>Book Reviews: David Cooper, Christopher Fox and 
>Ian Sapiro (eds.), CineMusic? Constructing the 
>Film Score Review by Ben Winters
>Volume 4 Issue 1 Spring 2010
>Jack Sullivan, Hitchcocks Music Review by Ciarán Crilly
>Karen Collins (ed.), From Pac-Man to Pop 
>Music:Interactive Audio in Games and New Media Review by Orlene Denice McMahon
>
>Find out more about the journal at 
><http://liverpool.metapress.com/content/121629/>http://liverpool.metapress.com/content/121629/ 
>
>
>
>CLARE HOOPER
>JOURNALS EXECUTIVE, LIVERPOOL UNIVERSITY PRESS
>4 Cambridge Street, Liverpool, L69 7ZU, UK Tel. 
>+44-[0]151-794-3135, Fax +44-[0]151-794-2235
>E: 
><mailto:(clare.hooper /at/ liverpool.ac.uk)>(clare.hooper /at/ liverpool.ac.uk) 
>W: <http://www.liverpool-unipress.co.uk>www.liverpool-unipress.co.uk
>
>

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Nico Carpentier (Phd)
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Vrije Universiteit Brussel - Free University of Brussels
Centre for Studies on Media and Culture (CeMeSO)
Pleinlaan 2 - B-1050 Brussels - Belgium
T: ++ 32 (0)2-629.18.56
F: ++ 32 (0)2-629.36.84
Office: 5B.401a
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New Book:
Trans-Reality Television
The Transgression of Reality, Genre, Politics, and Audience.
Lexington. (Sofie Van Bauwel & Nico Carpentier eds.)
http://www.lexingtonbooks.com/Catalog/SingleBook.shtml?command=Search&db=^DB/CATALOG.db&eqSKUdata=0739131885
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European Communication Research and Education Association
Web: http://www.ecrea.eu
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E-mail: (Nico.Carpentier /at/ vub.ac.be)
Web: http://homepages.vub.ac.be/~ncarpent/
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