[Commlist] CFP: Negotiating the Revolt: Punk in Times of Political Transformation

Negotiating the Revolt: Punk in Times of Political Transformation

The conference is organized by the Institute of Czech History at the 
Faculty of Arts, Charles University alongside the project Negotiating 
the Revolt in Czech and Slovak Postsocialist Transition, which is 
supported by the Czech Science Foundation and carried out in 
collaboration with the Archive of Czech and Slovak Subcultures, the 
Centre for the Study of Popular Culture and the Punk Scholars Network 
Slovak and Czech.

Date: May 16 – 18, 2025

Venue: Eternia, Nádražní 3, Prague 5, Czech Republic: 
https://www.eterniasmichov.com/ <https://www.eterniasmichov.com/>

Conference organizers: Karolina Válová, Miroslav Michela, Ondřej Daniel, 
Marta Harasimowicz

Email contact: (punkconferenceprague /at/ gmail.com) 
<mailto:(punkconferenceprague /at/ gmail.com)>

Call:
The fall of communist rule in Central Europe has often been interpreted 
as a long-awaited renaissance of civil society, a national emancipation 
or “rebirth of Eastern Europe” characterised by a state of euphoria, at 
least during and immediately after the political upheavals. Artists and 
intellectuals who had participated in the broadly contextualised 
cultural opposition often believed that democracy would bring the 
creative freedom they had been longing for. Transformations in politics 
and the economy affected the institutional background of the music and 
entertainment industry and brought new challenges to social hierarchies 
by redefining categories such as “alternative”, “underground”, 
“official” and “unofficial”. With the opening of post-socialist 
countries to global cultural trends and markets, the youth began to be 
seen as a key marketing demographic and a target for both material and 
nonmaterial cultural production.
As Katherine Verdery has pointed out, people in socialist countries had 
built up a great illusion – a myth of the West, which they saw as a land 
of unimaginable prosperity in contrast to their lives under socialism. 
The collapse of the socialist system led them to expect that now, 
overnight, their lives would become like those in their myth, and 
westerners encouraged this idea. Cultural production in the transition 
era and 1990s, which has been described by economists through the 
processes of liberalisation, restructuralization and privatisation, 
reflected and represented these meanings, and new political, economic 
and other conditions and values were embodied in social life.
Regime changes were quickly followed by disillusionment and systemic 
criticism directed against the new political elites – often former 
dissidents, current state policy or popular culture production, as well 
as against the commodification of subcultures – especially in the punk 
and hardcore milieu. In fact, some alternative and punk bands and 
musicians became mainstream stars, regularly appearing in the media, 
making records and music videos, and ranking high on the charts. 
Although they were presenting their genres to the public and gaining 
recognition and new fans for them, this also required a certain degree 
of adaptation to the needs of the emerging decentralised music market, 
for which they often faced criticism
“from within” for “selling out themselves and the subculture”. Hand in 
hand with this criticism, new activist platforms and movements were also 
emerging.
The overall aim of the conference is to provide an understanding of 
cultural production, consumption, dissemination and circulation in 
transforming societies. Research of the transitional period can help to 
better understand the role of culture in different political regimes and 
the cultural consequences of political change as well as its role in 
establishing new models of societal and economic organisation.

Thematically, we seek to cover the meanings and actions connected to 
“punk” on five levels:

a) Punk as discourse practice: performances, locations, texts and clubs. 
How did different punk actors (individual and collective) present 
themselves and argue their liminal position towards the mainstream 
culture and other communities of style?
b) Punk as mainstream: music charts and labels, propagation and TV 
appearance. How did punk manage to enter the wider pool of mainstream 
popular culture practices at the turn of the 1990s?
c) Punk and politics: activism and expert approaches, which are also 
connected to new social movements (vegetarianism/veganism, animal and 
human rights, anti-capitalism, anti-racism, racism and nationalism, 
neo-Nazism, ecology, feminism etc.). How were these activist agendas 
received in the subcultural milieu? How was the approach towards 
politics negotiated?
d) Punk as a personal issue: individual revolt, hybridity, lifestyle 
issues and autonomy.
Despite understanding the “personal as political”, certain practices 
have pointed more to the individual than a collective practice. How did 
the psychology of different actors relate to their “punk revolt”? How 
did the “punk revolt” relate to different ecstatic practices and aims to 
achieve personal autonomy?
e) Punk as retro: Long durée reflection, ageing, remembrance, 
disenchantment, disillusionment, nostalgia, idealising the 1980s and 
1990s. How is the “punk revolt” evaluated ex-post? How are punk actors 
using their punk histories to achieve legitimacy and subcultural capital?

Abstract deadline and submissions: December 20, 2024. The submission by 
e-mail to (punkconferenceprague /at/ gmail.com) 
<mailto:(punkconferenceprague /at/ gmail.com)> must include the following: 
abstract of 1,600-3,000 characters including spaces; keywords; 
curriculum vitae; one paragraph of short introduction including name and 
surname, affiliation, main research topic.

Evaluation date: January 10, 2025

Language: English

Papers: In the future, we would like to submit a selection of conference 
papers to an international publishing house and/or academic journal. To 
enrich the discussion, we would like to kindly ask you to send us the 
preliminary version of your papers by 30 April, 2025. These papers will 
be made accessible to all conference speakers. The time allotment for 
presentations at the conference will probably be 15-20 min. + follow-up 
discussion.

Additional program:
• excursion to the Archive of Czech and Slovak Subcultures
• punk gig
• film presentation and discussion on making of the DIY documentary 
Garáže (Garage) on a significant site of the punk scene in Bratislava (SK)
• exhibition of early 1990s punk and hardcore posters in the Czech 
Republic and Slovakia
• roundtable discussion on punk and transition.

Conference fee for 3 days of the conference: 500 CZK / 20 EUR (covers 
coffee breaks and snacks during the conference; lunch, dinner and entry 
to the gig are not included)

Entrance fee for visitors per day: 50 CZK / 2 EUR

Accommodation: at the participants’ own expense (we will provide basic 
information and support in this process)

For further information, please follow our Facebook event: 
https://fb.me/e/fmpBH6K4D <https://fb.me/e/fmpBH6K4D>

PDF of the call: 
https://cspk.eu/wp-content/uploads/2024/09/CfP-Punk_Prague-16-18.5.2025.pdf 
<https://cspk.eu/wp-content/uploads/2024/09/CfP-Punk_Prague-16-18.5.2025.pdf>

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