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[Commlist] Call for Papers: ‘Spectral Cinema and Contested Landscapes –Brazil’
Fri Sep 13 13:11:48 GMT 2024
Call for Papers: MIRAJ: Moving Image Review & Art Journal
Special Issue: ‘Spectral Cinema and Contested Landscapes – Brazil’
23-25 April 2025
University of São Paulo
View the full call here>>
https://www.intellectbooks.com/miraj-the-moving-image-review-art-journal#call-for-papers
<https://www.intellectbooks.com/miraj-the-moving-image-review-art-journal#call-for-papers>
What constitutes the potency of a ghost? What delineates its nature?
Ghosts, or more broadly spectres encompassing monstrous, mythical, or
religious entities, are often conceived as embodiments of divine,
spiritual, or otherworldly forces, resonating with echoes of a traumatic
past underscored by its political ramifications. Consequently, spectres,
along with spectral cinemas, emerge as enigmatic entities transcending
temporal confines, cultural paradigms and worldviews, offering poignant
responses to the hegemonic dictates of the present. They articulate
dissent against the market-driven acceleration and the wanton
devastation of the environment, advocating instead for the recognition
and sustenance of alternative existential, ancestral, affective, local
and global narratives. The ‘Spectral Cinema and Contested Landscapes’
symposium invites contributions to the debate surrounding spectres
manifest within corporeal forms, which are invariably shaped by
multifaceted markers of identity such as gender, race and sexuality. In
this vein, we are particularly intrigued by the intersecting
trajectories evident in the genesis and cinematic representations of
films, engaging in dialogue with indigenous, black, feminist and queer
cinemas.
‘Spectral Cinema and Contested Landscapes - São Paulo 2025’ is the
second iteration of the international symposium held at the University
for the Creative Arts, Farnham, UK in 2022, and the subsequent special
issue of the Moving Image Arts and Review Journal(MIRAJ) in 2023. It
encompasses an academic symposium and a series of public-facing events
in São Paulo, including, among others, film screenings and artistic
performances.
Confirmed Keynote Speaker: Roz Mortimer (UK)
We warmly welcome artists, practitioners, theorists and early-stage
researchers to present their work. In this context we are considering
cinema in its broadest sense and works presented and discussed will
include any permutations of film, video art, television, installation,
audio works, AR, VR and games.
Potential areas of inquiry are:
• Spectres as manifestations of forgotten, repressed or buried trauma
• The politics of dead bodies in unjust, unresolved and political deaths
• Ghosts as active participants with agency and intention
• Spectrality and spectatorship
• Spectral ecologies
• Spectral futurism
• Fabulation, fantasy and the supernatural
• Phenomenological interpretations of place
• Temporal and spatial disjunctions of the uncanny
• Exorcisms and healing by haunting
• Haunted landscapes
• Spectral manifestations – seeking visibility
• Ghosts, spirits and the more-than-human in religious and folk belief
• Animate and inanimate bodies
• Bringing the phantom into being – haunting as radical activism
Please submit a 200-300 word abstract + a 100 word bio + contact
information (all on the same document) with links to practice-based work
if appropriate, to the email address (cinemaespectral /at/ gmail.com)
<mailto:(cinemaespectral /at/ gmail.com)> by 8 November 2024.
Selected papers will be announced by 10December 2024.
Organising committee: Roz Mortimer, Cecília Mello, Renato Trevizano.
Scientific committee: Roz Mortimer, Cecília Mello, Renato Trevizano,
Erly Vieira Jr, Guilherme Lima de Assis, Esther Hamburger, Cristian
Borges and Gilberto Sobrinho.
This event is organized by the Graduate Program in Audiovisual Means and
Processes, with the support of the Department of Film, Radio and
Television and of LAICA - Laboratório de Investigação e Crítica
Audiovisual, School of Communication and Arts, University of São Paulo.
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