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[Commlist] CfP: Re/Presenting Europe and Europeans in Twentieth Century Media - A critical examination
Fri Mar 22 13:34:02 GMT 2024
Re/Presenting Europe and Europeans in Twentieth Century Media - A
critical examination
/TMG Journal for Media History/. Special Issue - Re/Presenting Europe
Project
/Guest Editorial Collective: Dr. Rachel Gillett, Dr. Gijs van
Campenhout, Dr. Jacco van Sterkenburg, Isabella Hall Allen, Dastan
Abdali, Jan Bant, Lis Camelia./
This special issue of /TMG - Journal for Media History/ examines how
historical practices of racialisation structure representations of
Europe, Europeanness and belonging in the domain of popular culture.
Mainstream media, by which we mean state-sponsored and dominant
commercial and publicly accessible radio and television, and widespread
print media genres such as newspapers and magazines, have produced and
circulated dominant representations of who is European and has a
rightful place in Europe. Although the domain of popular culture
promises egalitarian and democratic representation, in practice,
mainstream coverage of major sporting fixtures and popular music has
historically offered simplistic or stereotyping portrayals of the
complex and differentiated “othered” groups that contribute to European
culture. We, therefore, invite submissions that re-examine media
representations of popular culture through a critical lens.
Our point of departure is that media is a dominant site of
representation but can also host counter-narratives and perspectives.
Because sports media, popular music, and popular culture are sites of
powerful representational impact they are, thus, vital scholarly sites
of engagement (van Sterkenburg 2013; Elling 2005.) While European
popular culture has received ample academic attention since the late
1970s, our editorial collective invites contributors to examine how it
structures racialised representations of Europe and Europeans.
Contributions to this special issue will collectively address and
redress how twentieth-century media has represented individuals and
communities in ways that have undergirded societal structures of
racialisation and exclusion. We suggest contributors identify how
representational practices (rhetoric, image, narrative, selective
visibility, association with perceived virtues and vices or innate
characteristics) have historically worked in processes of othering,
conclusion and belonging. This may involve investigating how ‘belonging’
has been represented as only available to certain groups and how
racialised communities have responded or created counter-narratives and
representational practices.
We therefore invite contributions that analyze how media documentation
of popular culture - principally television, radio, and print
journalism/cultural reportage - feed into exclusionary representation of
Europe. We also invite contributions investigating how such media
representations of European popular culture have been disrupted and
challenged in mainstream media or, conversely, through the production of
subversive media content and formats. We encourage submissions of work
that uses approaches from media history, Black European Studies, sports
history, and the history of popular culture, representation, and belonging.
*We welcome submissions that consider (but are not limited to) the
following themes*.
* Case studies examining resistance to and/or subversion of a default
‘white’ European-ness within mainstream media;
* Practices of stereotyping and racialisation in media production and
the circulation of racial stereotypes and assumed norms in media
production, with a focus on the twentieth-century
* The remediation of narratives and representation across different
media sites; the contestation of dominant representations through
vernacular and community-created intergenerational transmission of
alternate representations, narratives, and counter-narratives
* Resistant reading of mainstream representations of popular culture,
following the work of Stuart Hall (2002) on audience and reception.
How is this relevant to a continental European context?;
* Democratising practices of (self)representation - how have ‘Zines,
podcasts, content-driven social media, born digital and self-funded
representative media worked to subvert dominant representations of
European-ness in popular culture?;
* How communities of Black and othered peoples have generated media
representations of liberatory joy that perpetually disrupt the work
of ‘race’, racism, and racialisation (Fields & Fields, 2012; Gilroy,
1993; Hall, 2017; Moten & Harney, 2013; Rodney, 1969).
On the basis of a 300-word abstract to be submitted by*30 April 2024*,
selected authors shall be invited to submit an article of 6,000-8,000
words (including notes) by *15 September 2024*. Revised drafts are
expected by *15 October 2024*. The issue will be published in Spring
2025. Please send an abstract and a short bio to Isabella Hall Allen at
Utrecht University: (i.w.a.hallallen /at/ uu.nl) <mailto:(i.w.a.hallallen /at/ uu.nl)>.
Deviations of the 6,000-8,000 words (including notes) are possible,
subject to the agreement of the editors. Authors are to submit original
papers that are not under consideration for publication elsewhere. No
payment from the authors will be required.
Final acceptance depends on a double-blind peer review process of the
manuscripts. The expected publishing date of this special issue of /TMG
Journal for Media History/ is in Spring 2025.
Contributions that receive positive reviews but are not accepted for the
special issue may be considered for publication in another issue of /TMG
Journal for Media History./
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