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[Commlist] CFP: Carry On Conferencing; or, Carry On and/as history | University of Warwick | 30 May 2024
Mon Nov 13 17:20:32 GMT 2023
CALL FOR PAPERS
https://carryonconference.wordpress.com
<https://carryonconference.wordpress.com/>
*CARRY ON CONFERENCING*
Or, /Carry On/ and/as history
30 May 2024 | University of Warwick
2023 marks the 65th anniversary of /Carry On/ /Sergeant/ (Peter Rogers,
1958), the first instalment of the /Carry On/ film franchise (1958-1978;
1992). Between 1958 and 1978 the series was a mainstay of British
box offices, and remains among the most prolific British film series.
During this twenty-year period, thirty feature-length titles were
produced and released in cinemas, as well as various iterations on stage
and television. The series has become emblematic of a particular brand
of British humour characterised by slapstick, farce, and innuendo,
drawing on traditions and strategies from earlier forms of popular
entertainment (Medhurst 1992; 2007). Despite its enduring popularity and
status in the national cultural imagination, the series has received
very little sustained scholarly attention. Much of the popular discourse
around the series tends towards either the celebratory or the outright
disdainful. This event provides a forum for consideration of the
franchise from various scholarly perspectives, with the intention of
showcasing more nuanced and complex understandings of the series and its
significance in histories of film, television, and popular
entertainment, and in broader social and cultural histories.
Abstracts are invited for presentations/panels on topics and themes
related to any aspect of the /Carry On/ franchise from scholars at all
levels – contributions from postgraduate researchers, and researchers
early in their career are particularly welcome.
Topics might include:
* Production histories
* National histories
* Social histories
* Cultural histories
* Queer histories
* Issues around representation and identity: class, gender, race,
ethnicity, sexuality
* The comic heritage of the /Carry On/s
* The /Carry On/s as ‘difficult heritage’
* The /Carry On/s and nostalgia
* The /Carry On/s and genre
* /Carry On/ aesthetics
* The /Carry On/s and British cinema
* Reception, audiences, and fandom
* /Carry On/ stardom
* Methodological issues
Submissions should be sent to Richard Dhillon
((richard.dhillon /at/ warwick.ac.uk) <mailto:(richard.dhillon /at/ warwick.ac.uk)>)
by 5pm (GMT) on *Friday 16 February 2024*. Abstracts should be around
250 words and include a title, the author's name, institutional
affiliation (if applicable), and contact information.
*Film and Television Studies | School of Creative Arts, Performance and
Visual Cultures | University of Warwick*
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