Archive for calls, 2023

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[Commlist] CFP: Carry On Conferencing; or, Carry On and/as history | University of Warwick | 30 May 2024

Mon Nov 13 17:20:32 GMT 2023






        CALL FOR PAPERS

https://carryonconference.wordpress.com <https://carryonconference.wordpress.com/>


      *CARRY ON CONFERENCING*


      Or, /Carry On/ and/as history


      30 May 2024 | University of Warwick

2023 marks the 65th anniversary of /Carry On/ /Sergeant/ (Peter Rogers, 1958), the first instalment of the /Carry On/ film franchise (1958-1978; 1992). Between 1958 and 1978 the series was a mainstay of British box offices, and remains among the most prolific British film series. During this twenty-year period, thirty feature-length titles were produced and released in cinemas, as well as various iterations on stage and television. The series has become emblematic of a particular brand of British humour characterised by slapstick, farce, and innuendo, drawing on traditions and strategies from earlier forms of popular entertainment (Medhurst 1992; 2007). Despite its enduring popularity and status in the national cultural imagination, the series has received very little sustained scholarly attention. Much of the popular discourse around the series tends towards either the celebratory or the outright disdainful. This event provides a forum for consideration of the franchise from various scholarly perspectives, with the intention of showcasing more nuanced and complex understandings of the series and its significance in histories of film, television, and popular entertainment, and in broader social and cultural histories.

Abstracts are invited for presentations/panels on topics and themes related to any aspect of the /Carry On/ franchise from scholars at all levels – contributions from postgraduate researchers, and researchers early in their career are particularly welcome.

Topics might include:

  * Production histories
  * National histories
  * Social histories
  * Cultural histories
  * Queer histories
  * Issues around representation and identity: class, gender, race,
    ethnicity, sexuality
  * The comic heritage of the /Carry On/s
  * The /Carry On/s as ‘difficult heritage’
  * The /Carry On/s and nostalgia
  * The /Carry On/s and genre
  * /Carry On/ aesthetics
  * The /Carry On/s and British cinema
  * Reception, audiences, and fandom
  * /Carry On/ stardom
  * Methodological issues

Submissions should be sent to Richard Dhillon ((richard.dhillon /at/ warwick.ac.uk) <mailto:(richard.dhillon /at/ warwick.ac.uk)>) by 5pm (GMT) on *Friday 16 February 2024*. Abstracts should be around 250 words and include a title, the author's name, institutional affiliation (if applicable), and contact information.

*Film and Television Studies | School of Creative Arts, Performance and Visual Cultures | University of Warwick*

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