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[Commlist] cfp: Promotional industries and platformised logics in the digital age
Wed Jun 01 22:20:41 GMT 2022
*Call for Papers – ‘Promotional industries and platformised logics in
the digital age’*
*Special Issue of **/Comunicação Mídia e Consumo/*
Guest editors:
Clea Bourne, Goldsmiths, University of London, UK. Gisela G. S. Castro,
Advanced School of Advertising and Marketing (ESPM), São Paulo, Brazil.
Luiz Peres-Neto, Autonomous University of Barcelona, Spain. Sergio
Amadeu da Silveira, Federal University of ABC, Brazil.
*Deadline for abstracts: 1 July 2022. Expected date of publication –
April 2023.*
Digital platforms have emerged as a new means of production in the wider
global economy by extracting, circulating and controlling vast amounts
of data as an economic, social and political asset. The metaphorical
term ‘platform’ describes an infrastructure that enables two or more
groups to interact, combining big data, cloud and mobile telephony
together as an increasingly competitive weapon.
Platforms have transformed global promotional industries, which include
advertising, branding, marketing, sponsorship and public relations.
Moreover, the production logics of platformisation have given rise to
new promotional occupations such as digital content marketing,
ecommerce, programmatic advertising, social media management and user
experience (UX) design, to name a few.
While the impact of digital platformisation has been at the forefront of
various interdisciplinary debates, there has to date been limited
attempt to understand the collective impact of platformisation and
algorithmic logics on the global promotional industries.
More than quarter of a century ago, the Birmingham School gave us the
Circuit of Culture as a way to think about production, consumption and
representation in the cultural economy. The model helped in apprehending
the promotional fields as representational activity, situated between
production and consumption, and responsible for circulating products and
services as well as ideas.
As digital platforms speed up distribution processes, bringing producers
and consumers together in increasingly ‘frictionless’ ways, the gaps
between many forms of digital production and consumption are closing. In
the platform economy, promotional outputs (e.g. advertisement, branded
content or sponsored video) are no longer bounded by time, while the
media through which promotional outputs circulate now operates more
logistically and algorithmically than it does narratively or
representationally, as digital content attracts and organises users,
places and things across time and space.
How then should we understand promotional activity in the digital age?
We welcome contributions that consider any of the following questions:
· How should we understand digital platforms and their relationship
with promotional industries, their workers, their inputs and outputs?
Here we acknowledge that some platforms such as Amazon, Facebook and
Google are themselves promotional entities, numbering among the largest
advertising companies in the world.
· What are the implications of recent technological developments
such as shoppable TV, preparations for Facebook’s metaverse, or the
prospective demise of third party cookies?
· Who are the new promotional intermediaries? What is the future
for traditional promotional roles? How are traditional promotional roles
positioned against emerging specialisms such as data insight, content
strategy, social media management or user experience design?
· To what extent do contemporary promotional devices, tools and
outputs represent new approaches? Contributions might explore anything
from conversion funnels to in-house technology stacks, from analytics to
tracking tools, from mobile apps to promotional bots and virtual brand
influencers.
· Are there local, regional alternatives to programmatic networks
controlled by major platforms that belong to groups such as Alphabet or
Meta? Does the current supremacy of Big Techs eliminate the value of
national advertising markets and render them hostage to these North
American technological giants?
· The platform economy is intertwined with massive extraction of
data. Machine learning and deep learning technologies also depend on
data storage. Theories such as spectacularisation, control societies,
surveillance capitalism or data driven economy attempt to cover the
phenomena of conversion of life flows into data. What are the concepts
and theories that allow us to better deepen our analyses of promotional
industries and platformised logics in the digital age?
· Finally, how and where can we gauge the changes within
promotional industries empirically and theoretically, especially when
much of promotional activity is opaque or difficult to trace?
In addition to the questions posed above, contributors might also
consider the following topics for article development, including but not
limited to:
· AR/VR interfaces
· Big vs small – campaigns, devices, markets,
· Circuits of algorithmic culture
· Disruption, distribution, disarticulation
· Ethical issues, marginalisation and social justice
· Human-machine communication
· New promotional intermediaries
· Promotional devices and tools
· Working conditions and labour in promotional industries.
/Comunicação Mídia e Consumo /is an Open Access, Scopus-based journal,
which aims to bring together research and scholarship exploring
interactions between the promotional industries, technologies, and the
media. *There is no article processing charge. Submissions in
Portuguese, English and Spanish welcome.***
*Timeline*
1 July 2022 – Closing date for submission of 800 word abstract (please
use the website for submissions:
http://revistacmc.espm.br/index.php/revistacmc)
1 August 2022 – Invitation to submit full-length papers
31 October 2022 – Deadline for submitting full-length papers
(submissions to website - http://revistacmc.espm.br/index.php/revistacmc)
15 January 2023 – Announcement of articles selected for publication
30 April 2023 – Publication of Special Issue
For further information contact: Dr Clea Bourne, Dept of Media,
Communications and Cultural Studies, Goldsmiths, University of London.
(c.bourne /at/ gold.ac.uk) <mailto:(c.bourne /at/ gold.ac.uk)>. @bourne_clea.
http://revistacmc.espm.br/index.php/revistacmc/announcement
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