Archive for calls, October 2021

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[Commlist] Call for Submission for the 27th International Symposium on Electronic Art

Sun Oct 03 21:17:02 GMT 2021






27th International Symposium on Electronic Art Barcelona (#ISEA2022Barcelona)

held in Barcelona on Juny 10-16, 2022


https://isea2022.isea-international.org/submit-your-proposal/ <https://isea2022.isea-international.org/submit-your-proposal/>


IMPORTANT DATES


SymposiumDate: Juny 10-16, 2022


Submission:

- Full and short papers, Posters/ Demos, Panel discussions. Date:October 20th 2021

- Artist talks. Institutional presentations, Workshops, Tutorials. Date: October 22th 2021

- Artwork Proposals. Date: October 30th 2021


We are pleased to announce the Call for Submission for the

27th International Symposium on Electronic Art Barcelonahttps://isea2022.isea-international.org/ <https://isea2022.isea-international.org/>(#ISEA2022 Barcelona) will be held in Barcelona on Juny 10-16, 2022

ABOUT THE SYMPOSIUM


ISEA, International Symposium on Electronic Art, is one of the most important annual events worldwide dedicated to the crossroads where art, design, science, technology, and society meet. The event has been held over 26 times all over the world, and after more than 10 since it last graced European soil, it touches down in Barcelona. With it comes an enthusiastic international and local community, ready to work together to develop this interdisciplinary field.

As it has travelled the globe over the years, ISEA has served as a meeting point for artists, scientists, technologists and theorists to share their research along with their latest prototypes, technological developments or artistic works linked to science and technology.

TOPICS OF INTEREST


- Possibles

- Humans and Non-humans

- Natures and Worlds

- Futures and Heritages

- Educations and Societies


SUBMISSION DETAILS


https://isea2022.isea-international.org/submit-your-proposal/ <https://isea2022.isea-international.org/submit-your-proposal/>



ORGANIZING COMMITTEE


General Chair /Artistic Director

Pau Alsina (Universitat Oberta de Catalunya)


Artistic Vicedirector

Irma Vilà (Universitat Oberta de Catalunya)


Academic Chairs

Enric Mor (Universitat Oberta de Catalunya)

Joan Soler-Adillon (Universitat Oberta de Catalunya)

Susanna Tesconi (Universitat Oberta de Catalunya)


Humans and non humans Chair

Andrés Burbano (Universidad de los Andes)


Natures and Worlds Chair

Laura Benítez


Futures and Heritages Chair

Vanina Hofman (Universidad Rovira i Virgili)


Educations and Societies Chair

Aida Sánchez de Serdio (Universitat Oberta de Catalunya)


Artistic Works Chair

Pau Waelder (Universitat Oberta de Catalunya)


Screenings Chair

Gemma San Cornelio (Universitat Oberta de Catalunya)


Artist talks Chair

Luz María Sánchez (Universitat Oberta de Catalunya)

Posters Chair

David Merino (Universitat Oberta de Catalunya)


Demos Chair

Pierre Bourdin (Universitat Oberta de Catalunya)

Workshops Chair


Efraín Foglia (Universitat Oberta de Catalunya)

Institutional Presentations Chair

Alba Colombo (Universitat Oberta de Catalunya)


Communication & Web Chairs

Andrea García (Universitat Oberta de Catalunya)

Paloma González (Universitat Oberta de Catalunya)


INTERNATIONAL PROGRAM COMMITTEE / ART JURY


José Ramón Alcalá (Universidad de Castilla-La Mancha)

Lucía Arias (FACT Liverpool Foundation for Art and Creative Technology)

Laura Baigorri (Universitat de Barcelona)

Mónica Bello (CERN Conseil Européen pour la Recherche Nucléaire)

Peter Bentley (University College London)

Clara Boj (Universitat Politècnica de València)

David Casacuberta (Universitat Autònoma de Barcelona)

Blanca Callen (Universitat de Vic)

Luca Carubba (Arsgames)

Digna Couso (Universitat Autònoma de Barcelona)

David Cuartielles (Malmo University)

Daniel Cruz (Universidad de Chile)

Salomé Cuesta (Universitat Politècnica de València)

Elinor Nina Czegledy (University of Toronto & Ontario College of Art Design University)

Diego Díaz (Universitat Jaume I)

Kevin Dahan (de Montfort Unversity)

Hans Dehlinger (School of Art, University of Kassel)

Rick Dolphijn (Universiteit Utrecht)

Scott Fitzgerald (New York University Abu Dhabi)

Angus Forbes (University of Illinois at Chicago)

Santiago Fort (LaSalle Universitat Ramon Llull)

Marina Garcés (Universitat Oberta de Catalunya)

Carlos Grilo (Instituto Politécnico de Leiria)

Laurent Grisoni (University of Lile)

Olga Goriunova (Royal Holloway, University of London)

Sergi Jordà (Universitat Pompeu Fabra)

Peter Krapp (University of California, Irvine)

Alain Lioret (Université Paris 8)

Alessandro Ludovico (University of Southampton)

Laura Malinverni (Universitat de Barcelona / Esbrina)

Moisés Mañas (Universitat Politècnica de València)

Massimo Menichinelli (RMIT/Polytechnic University of Milan)

Laurent Mignonneau (Interface Cultures UFG)

Valentina Montero (Universidad Finis Terrae)

Jaime Munárriz (Universidad Complutense de Madrid)

Antony Nevin (Massey University)

Diarmuid O’Donoghue (Maynooth University)

Roc Parés (Universitat Pompeu Fabra)

Jennifer Parker (University of California Santa Cruz)

Christiane Paul (The New School, Whitney Museum)

Simon Penny (University of California, Irvine)

Juan Martín Prada (Universidad de Cádiz)

Eloi Puig (Universitat de Barcelona)

Soren Pold (Aarhus Univesity)

Ingeborg Reichle (University of Applied Arts Vienna)

Everardo Reyes (Université Paris 8)

Núria Rodríguez (Universidad de Málaga)

Robert Rowe (New York University)

Laia Sánchez (Universitat Autònoma de Barcelona / Citilab)

Chris Salter (Concordia University)

Christa Sommerer (Interface Cultures UFG)

Carles Sora (CITM/ Universitat Politècnica de Catalunya)

Andrea Sosa (National University of La Plata)

Reynaldo Thomson (Universidad de Guanajuato)

Ionat Zurr (SymbioticA, School of Anatomy, Phisiology and Human Biology, The University of Western Australia)

Victoria Szabo (Duke University)


ISEA INTERNATIONAL

Ernest Edmonds

Chair

Professor of Computational Art, De Montfort University, Leicester, UK: Founding Director, Creativity and Cognition Studios, University of Technology, Sydney, Australia: General Editor, Cultural Computing Book series, Springer.


Mike Phillips

Secretary

Professor of Interdisciplinary Arts and Director of Research at i-DAT, Plymouth University, UK.


Anne Nigten

Treasurer

Professor Smart & Inclusive Society, Research Center Creating 010, Rotterdam University of Applied Sciences. Director of the Patching Zone, trans-disciplinary innovation laboratories in Rotterdam, the Netherlands.


Pat Badani

Lead Editor Artelogie, Vol 11, École des hautes études en sciences sociales (EHESS – Paris), Le Centre national de la recherche scientifique (CNRS – France); Director of “Al Grano”© Project


Ricardo Dal Farra

Professor of music and media arts at the Music Department of Concordia University in Canada. Director of the Electronic Arts Research and Experimentation Centre (CEIArtE) at National University of Tres de Febrero in Argentina. Directing the Latin American Electroacoustic Music Collection. Founder-director of the Understanding Visual Music (UVM) and Balance-Unbalance (BunB) international conference series.



Rob La Frenais

Visiting fellow of Bournemouth University, visiting curator at the Maison Des Arts Georges Pompidou, Cajarc, France and visiting curator at FACT Liverpool. He runs the 3-year Future of Transportation project at Srishti Institute, Bangalore.



Roger Malina

Distinguished Professor of Art and Technology, and Professor of Physics, at the University of Texas at Dallas. He serves as the Associate Director of ATEC. Executive Editor of the Leonardo Publications at MIT Press, Member of the Boards of Directors of Leonardo /ISAST Leonardo/OLATS



Sue Gollifer

Executive Director ISEA International HQ

Director of the ISEA International Headquarter, a Principal Lecturer, a researcher and curator at the University of Brighton, UK. She is on a number of National and International Committees, including (CAS) the Computer Arts Society, (DAC) the ACM SIGGRAPH Digital Arts Community and the Chair of the ACM SIGGRAPH ‘The Life Time Achievement in Digital Arts Award’


CONTACT
(ISEA2022 /at/ uoc.edu) <mailto:(ISEA2022 /at/ uoc.edu)>


INFORMACIÓ SOBRE PROTECCIÓ DE DADES DE LA UNIVERSITAT OBERTA DE CATALUNYA (UOC)

Us informem que les vostres dades identificatives i les contingudes en els missatges electrònics i fitxers adjunts es poden incorporar a les nostres bases de dades amb la finalitat de gestionar les relacions i comunicacions vinculades a la UOC, i que es poden conservar mentre es mantingui la relació. Si ho voleu, podeu exercir el dret a accedir a les vostres dades, rectificar-les i suprimir-les i altres drets reconeguts normativament adreçant-vos a l'adreça de correu emissora o a (fuoc_pd /at/ uoc.edu) <mailto:(fuoc_pd /at/ uoc.edu)>.

Aquest missatge i qualsevol fitxer que porti adjunt, si escau, tenen el caràcter de confidencials i s'adrecen únicament a la persona o entitat a qui s'han enviat.

Així mateix, posem a la vostra disposició un delegat de protecció de dades que no només s'encarregarà de supervisar tots els tractaments de dades de la nostra entitat, sinó que us podrà atendre per a qualsevol qüestió relacionada amb el tractament de dades. La seva adreça de contacte és (dpd /at/ uoc.edu) <mailto:(dpd /at/ uoc.edu)>.

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