[Commlist] CFP: Performing Animation, Animating Performance

................................................................................................................
*Performing Animation, Animating Performance
*
*King’s College London, Saturday 14th December 2019
*
*A One-day Interdisciplinary Symposium*

 From the early animators who appeared in whole or in part in their 
films (think of J. Stuart Blackton, Emile Cohl, or Winsor McCay) to the 
more recent debates about the creative ownership of motion capture 
characters, performance is a spectre that is present in all forms of 
animation. ‘Acting’ and performance are often considered integral to the 
practice of animation, particularly the process of animating characters. 
In his 2013 book Shadow of a Mouse, Donald Crafton considers animated 
characters as performers. At the same time, notions of ‘animation’ and 
coming to life underpin conceptions of performance, coming to bear on 
how we might understand and theorise performance across multiple 
disciplines. This symposium aims to put ‘animation’ and ‘performance’ in 
a productive dialogue in a way that will enhance our understanding of 
animation and performance, both separately and together.

Proposals are invited for *20-minute papers* that engage with the topic 
of the symposium within any geographical and cultural context. We 
welcome scholars and practitioners from any disciplinary area.

Potential paper topics include, but are not limited to:

·      Early animation and the presence of the performing animator
·      Motion and performance capture technologies
·      Animation as a form of acting
·      The use of performance methodologies in animation production and 
practice
·      Rotoscoping
·      Live performance reference
·      Animation and puppetry
·      Philosophical approaches to performance as animation/ animation 
as performance
·      Performance philosophy and animation
·      Ideas of performance in non-figurative and abstract animation
·      Animation, performance and geographical and cultural specificity
·      Issues of representation and diversity at the intersection of 
animation and performance
·      (Star) voice artists and vocal performance
·      The use of animation in live performance (e.g. theatre, dance)
·      The performance of live animation (e.g. sand animation)
·      Intermedial screen performances (e.g. live-action/animation hybrids)
·      Industrial elements of performance (storyboarding, software, etc)

Conference organisers: *Christopher Holliday* (KCL) & *Bella Honess Roe* 
(University of Surrey)
Conference registration fee TBC (but will be not more than £20)

Please send *300-word proposals*, along with a *short bibliography* (max 
5 entries) and *bio *(100 words) as one Word document to 
*(christopher.holliday /at/ kcl.ac.uk) 
<mailto:(christopher.holliday /at/ kcl.ac.uk)>* and *(a.honessroe /at/ surrey.ac.uk) 
<mailto:(a.honessroe /at/ surrey.ac.uk)>* by *Monday 23rd September 2019*.


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