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[ecrea] YouTube Conference CFP
Fri Feb 26 22:21:48 GMT 2016
YouTube Conference: Call for Papers
23/4 September 2016, Middlesex University, The Burroughs, Hendon, London.
Keynote speaker: Professor Jean Burgess
Please send an abstract of 350 words plus a short bio of 100 words for
single papers or 500 words and individual bios for group panels by email
attachment to (youtube /at/ mdx.ac.uk).
Deadline for receipt of abstracts is 4 April 2016.
YouTube has just passed its tenth birthday and it is timely to review
not only how it has changed in that time, but also its wider influence.
By focusing on YouTube as a platform we want to draw together research
that is distributed across disciplines to help cross-fertilise knowledge
about YouTube and its users, and to identity the research questions and
methods that best capture its ever-expanding reach, impact and
significance. We plan to include a panel of industry insiders to offer
insights into possible futures in the light of current developments
alongside the academic papers which we now invite you to propose.
Keynote Address
Professor Burgess will consider how YouTube and the broader online video
environment have changed in the past decade, and what its competing
futures look like. She will also discuss how we might learn to recognise
such patterns of change empirically, and the key methodological
approaches to studying the co-evolution of proprietary digital media
platforms and their cultures of use over time.
Possible questions to address (but not limited to these):
How has the institutionalisation of YouTube changed its nature?
Has YouTube accelerated processes of media convergence and transformation?
What is the changing relationship of television to YouTube?
How have production techniques and practices developed as the platform
matured?
What communities of practice have been influential in the development of
YouTube norms?
How has the development of new aesthetic forms been enabled by YouTube?
What innovations in performance and modes of address can be detected on
YouTube?
To what degree do YouTube’s affordances operate as a social medium?
What new forms of celebrity and fandom have emerged on YouTube and why?
What wider social, cultural and political changes can be attributed to
YouTube’s influence?
Why do we need to regulate the corporate power of YouTube’s owners Google?
Is YouTube a positive space for self realisation and expression of
marginalised identities?
How do concerns over data harvesting and privacy apply to YouTube?
How have conflicts over rights affected the monetization of YouTube
activities?
What potential does YouTube have as a repository of curated archives?
What are the genres that have thrived on YouTube and what wider
significance does this have? (e.g. education, journalism, advertising
and marketing, campaigning and propaganda, entertainment, documentary,
drama, comedy and parody, how to ...)
Is the development of specific apps for Music, Kids and Gaming a
significant new trend?
What research methods are used to study YouTube? What are their
strengths and weaknesses?
Conference organisation team:
Professor Jane Arthurs
Dr Alessandro Gandini
Dr Paul Kerr
Nicola Skinner
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