[ecrea] Popular Music Fandom and the Public Sphere: A One Day Symposium

CFP: Popular Music Fandom and the Public Sphere - A One Day Symposium

University of Chester,
Friday, 10th April 2015

Keynote speaker: Dr Cornel Sandvoss, University of Surrey

In the mainstream media, postwar popular music fandom has traditionally 
been associated with collective displays of emotion. Yet fandom is 
actually about a range of things: shared tastes and personal 
convictions, individual subjectivity and wider community. Fandom does 
not exist entirely in private nor entirely in public, but is 
characterized a process of continual mediation between the two. Jürgen 
Habermas’s concept of the public sphere suggests that shared spaces of 
discussion have political consequences, making the crossing of the 
private/public boundary a political act. It is possible for fans to have 
relatively public experiences in private and private experiences in 
public. What new forms of public sphere does popular music fandom 
create? Edward Comentale suggested that Elvis Presley created a “public 
sphere within the public sphere.” Furthermore, both ‘the public’ and 
‘the private’ are transforming in a networked society and neoliberal 
era. As communiti
es of imagination, fan bases are providing new models for public 
activism based on shared values. Fandom can therefore help to indicate 
where conceptions of the private and public might require some 
reformulation. We invite papers associated with this subject on specific 
topics such as the following:

•    Closet popular music fandom
•    Fandom and intimacy
•    Music fan diaries and confessionals
•    Voyeurism and fandom
•    Fan mail and its representation
•    ‘Masses’ and ‘manias’ - collective fandom in the mass broadcast era
•    Fan communities as their own public spheres
•    Fandom, festivals and spectacles
•    Collecting, exhibiting and curating and music fandom
•    Genre fandom and the public sphere
•    Fan philanthropy and activism
•    Fan productivity as social commentary
•    ‘Drive by’ media, news and documentary portrayals
•    Interaction on social media
•    Fandom, affect and the public display of emotion
•    The public/private boundary and historical fan studies
•    Abject heroes and music fan shame

Papers will be 20 minutes in length with 10 minutes for questions. 
Please send an abstract of no more than 300 words and a bio of no more 
than 50 words to: (m.duffett /at/ chester.ac.uk) before Wednesday, 19th 
November, 2014.

Organized by:

Dr Mark Duffett, University of Chester
and Dr Koos Zwaan, InHolland University of Applied Sciences.

This event is free to staff and students from any university - please 
visit the following link for tickets:

https://www.eventbrite.com/e/popular-music-fandom-and-the-public-sphere-a-one-day-symposium-tickets-13092065721



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