[Previous message][Next message][Back to index]
[ecrea] Interfaces - Postgraduate Research Workshop and Exhibition
Fri Oct 08 13:35:05 GMT 2010
University of Exeter, Department of English
Interfaces: encounters
beyond the page / screen / stage
1 Day Postgraduate Research Workshop and
Exhibition, 29th January 2011
Confirmed Keynote Speaker: Dr Judith
Buchanan (University of York)
Funded by the AHRC Beyond Text Student-led
Initiative Scheme
VISIT THE EVENT BLOG @:
www.interfaces
-beyond-
text.blogspot.com
This innovative multidisciplinary research
training event examines questions of mediation and memory in
encounters with non-textual archival
materials in the arts. By creating dialogues between postgraduates
and
experienced researchers, and featuring
practical sessions with curators and archivists, the research
workshop
seeks to investigate issues that take the
researcher beyond the text in the investigation of objects and
artefacts that constitute non-textual
interfaces between film, literature and theatre.
Participating speakers and delegates will
attend a central workshop event in the University’s Bill Douglas
Centre for the History of Cinema and Popular
Culture and Exeter’s Special Collections, where a hands-on
exploration of key filmic and literary
non-textual materials will be led by the curators of these archives.
Abstract for 20 minute papers are welcomed on
the following core panel themes from
postgraduates across the arts disciplines in
drama, literature, film, performing arts, visual culture and
modern languages:
•
Performativity
: transitory forms created by performance and
performativity; improvisation and the
play script; the body in play; performance
and photographs/stills; the critical interpretation of
ephemera; the incorporation of non-print
ephemera into academic scholarship; mediations between
public interest and critical histories
surrounding popular artefacts; the function of stage props
• Beyond
‘Adaptation’: mediations involved
in processes of adaptation across disciplines / media; the
creation and sustenance of ‘media memories’
in repeated adaptation
• Forms of
Engagement: creative forms which
overlap across the artssuch as illustrations, sound
recordings, and poetic readings; the
translation and migration of theatrical, literary and filmic
heritages into business practices;
non-narrative auto/biographical sites
• Production
History: the exploration of how
plays have been ‘framed’ in discussion, presentation
and analysis across their history; exploring
the relationship between "text" and
"performance"
• Digital
Cultures: the impact of
digitization upon the archival ‘text’; the impact of new digital
media
upon process of memory / memorial; multimedia
practices and presentations
• Rethinking
archives: how archives destabilize
notions of ‘text’ / the search for archival authorial
‘presence’; archival silences; notions of the
archive as performance; questions of authority
surrounding pre-texts / printed texts;
challenges encountered in recreating draft manuscripts; the
impact of ‘anecdotal’ archival material
We strongly encourage speakers to present
the ‘beyond text’ materials of their research in
a multi-media format, bringing evidence of
cornerstone non-textual examplessound clip
/ manuscript image / artwork etc.
Please submit 300 word abstracts for 20 minute
papers to Lisa Stead ((lrs204 /at/ ex.ac.uk)) and Jennifer
Barnes ((jab228 /at/ ex.ac.uk)). Suggestions for panels of
3 speakers for any of the given core panel themes are also welcomed.
Supporting work for the Interfaces
Exhibition is very much welcomed!
The Interfaces event welcomes the submission of artwork,
photography and
imagery for a temporary exhibition representing, replicating or
reflecting upon
key non-textual archival materials, objects and images in the arts.
The exhibition of this work will accompany the Interfaces research
event, and
offer an interactive counterpart to the workshop. We strongly
encourage
presenting delegates to submit items to this exhibit, but we also welcome
non-presenting delegates to submit proposals for exhibition pieces,
themed
around non-textual encounters in postgraduate research and practice
across
the disciplines of drama, literature and film.
Exhibition proposals might include the following:
Large scale single/collections of images
The Interfaces committee will replicate these in high-quality
print poster
form. Examples of items might include replica posters, postcards,
photos, stamps, prints, artworks etc.
Original artwork
Inspired by ‘beyond text’ issues in research / artistic
interpretations of
research themes.
Original photography
Examples: documenting the research process or archive visits /
photographs of beyond text objects that tell a story about the
researcher or specific methodologies.
Moving images
These might include cinematic film clips (to be looped on exhibition
and
accompanied by explanatory text) / original short films or clips /
footage
of archival practice / montage of beyond text materials / clips
illuminating beyond text devices or materialse.g. optical toys,
animations from such devices etc. / footage of performances /
footage
relating to production history.
Displayed objects
Key non-textual research objects (if they can be temporarily spared
for
display!)e.g. newspapers / playbills / magazines / marketing
materials / stage props (or replicated versions of these).
We have a small fund to assist in the high quality presentation of
these
objects and original creations, and will provide AV exhibition and
printing for
art and photography.
Please submit samples and/or exhibit project outlines with brief
supporting
notes to Lisa Stead ((lrs204 /at/ ex.ac.uk)) and
Jennifer Barnes
((jab228 /at/ ex.ac.uk)). Deadline: November
1st, 2010.
Phil Wickham
Curator
The Bill Douglas Centre for the History of Cinema and Popular
Culture
University of Exeter
Old Library
Prince of Wales Road
Exeter
Devon
EX4 4SB
01392 724321
(P.J.Wickham /at/ exeter.ac.uk)
[Previous message][Next message][Back to index]