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[ecrea] CFP: Korean Horror Cinema (Edited Collection, EUP, 2012)
Wed Oct 06 21:09:58 GMT 2010
>Call For Papers: Korean Horror Cinema (Edinburgh University Press, 2012)
>Edited by Alison Peirse and Daniel Martin
>
>Abstracts are sought for a collection on Korean
>Horror Cinema to be published by Edinburgh
>University Press in 2012. Deadline for proposals: 1 December 2010
>
>South Korean cinema is of rapidly increasing
>international importance, and this collection
>offers an informative overview of its most
>appealing, culturally significant and critically
>fascinating genre: horror. Korean cinema was
>virtually unknown among Western audiences and
>academics until the release of cult hits like
>'Oldboy' (Park Chan-wook, 2003) and 'The Isle'
>(Kim Ki-duk, 2000). This book will be a timely
>intervention, responsive to contemporary trends
>in both the production and circulation of Korean
>film. While this book will engage with
>contemporary films, it also seeks to illuminate
>the history of Korean horror, exploring a
>variety of postcolonial texts from South Korean
>cinemas first Golden Age in the 1960s.
>
>One of the most valuable aspects of this book
>will be its scope, considering Korean horror
>beyond the limited canon constructed by European
>and American distributors, critics and fans.
>While the films covered will include some widely
>seen and well known contemporary Korean horror
>films (such as 'A Tale of Two Sisters' [Kim
>Ji-woon, 2003], 'Phone' [Ahn Byung-ki, 2002],
>and 'R-Point' [Kong Su-chang, 2004]), this
>collection will also consider classic films
>(such as 'A Devilish Homicide' [Lee Yong-min,
>1965]), and some of the domestically significant
>horror films which have never seen theatrical or
>DVD release in the West (such as 'The
>Nine-Tailed Fox' [Park Heon-su, 1994] and
>'Shadows in the Palace' [Kim Mee-jeung, 2007]).
>In collecting studies on a wide range of films,
>this book will be informative and educational,
>of value to researchers, teachers, students and cinephiles.
>
>We have already obtained contributions from
>academics in the UK, USA, Japan and Korea for a
>significant number of the chapters in this
>volume; we are issuing this general CFP in order
>to obtain the best possible additional
>contributors and a diverse, international,
>collection of essays. We are therefore looking
>for a select number of final chapters that
>contribute new and original perspectives on Korean horror cinema.
>
>Topics could include, but are not limited to:
>" The place of Korean folklore in classic and/or contemporary horror
>" The cyclical and seasonal nature of Korean horror releases
>" The canonisation of Korean horror within different national contexts
>" Korean monster movies
>" North Korean horror films
>" The relationship between horror and melodrama
>" Flashbacks in Korean horror film
>" Remakes of horror, in Korea (e.g. 'The
>Housemaid') and/or in Hollywood (e.g. 'The Uninvited')
>" The mother in law as a figure of horror
>" The relationship between history and
>horror, e.g. Park Chung-hees military coup of
>1961 and its impact upon the cinema industry / film aesthetics
>" War and horror
>" The representation of schools and education in Korean horror film
>" Gothic horror
>
>Please send a 300 word abstract, working title,
>one page CV and contact details to BOTH
>(alison.peirse /at/ northumbria.ac.uk) AND
>(d.martin /at/ qub.ac.uk) by 1 December 2010. We will
>also be happy to answer any informal enquiries about the project.
>
>You will be advised of a decision by 1 February
>2011, and completed articles (5000 6000 words)
>due for submission on 1 July 2011.
>
>Dr Alison Peirse, Lecturer in Film and Television Studies
>Department of Arts
>University of Northumbria
>Newcastle Upon Tyne NE1 8ST
>UK
>
>Dr Daniel Martin, Lecturer in Film Studies
>School of Languages, Literatures and Performing Arts
>Queen's University Belfast
>Belfast BT7 1NN
>Northern Ireland
>
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