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[ecrea] CFP: The Arts of Mediation
Mon Sep 21 19:10:02 GMT 2009
International Conference
The Arts of Mediation
CECC - Research Centre for Communication and Culture
3rd PhD Net Conference/
Research Project: Tekné: Engendering Technology in the Modern World
LISBON, 17 - 19 March 2010
Mediation is a pivotal keyword to understand the
way humans make sense of the world, how they
create knowledge, communicate and relate to each
other. Considering that the subject's relation to
reality is never naïve but rather, as Heidegger
argues, a struggle and meaning the outcome of
that complex relationship, the conference wishes
to address the multiple ways in which this
association/appropriation is enacted and the way
it shapes and is shaped by modernity. Just as the
ancient muses figured and organized the creative
life of the ancient world, so do in our late
modern age the arts of mediation (literature,
journalism, art, dance, film and the creative
media in general) by means of its different
technological apparatuses (writing, film,
painting or embodied performances) organize the
ways in which cultures and individuals relate and
come to terms with the world and events surrounding them.
Mediation may, in fact, be understood in two
different assertions. One is social-cognitive and
refers to fact that knowledge is not a pure
appearance out of an essentialized origin, but
rather requires tools, depends on subjects to
emerge and is socially and culturally contingent.
Mediation is thus a process that may make use of
several media and technologies to uphold its
purposes. It may hence be mediatized, i.e.
promoted and broadcasted by means of the news or
creative media, but it is not reduced to it. On
the other hand, mediation is a cultural-political
tool, as it refers to strategies of negotiation,
conciliation and intervention to bring about a
resolution of conflict. In a certain way, the
arts of mediation subsume the two assertions as
they seek to negotiate meaning amongst
conflicting parties, the event and the subject,
witness or conveyor of the story, or because
meaning and representation, as Foucault argues,
are warring procedures that require mediation to
be reconciled. The arts of mediation then, both
as social technologies and as cultural processes,
are framed by power structures, shaped by
technological developments, inspired by creative
modes, thread with emotional strategies, and
thorn with ethical conflict which reflect the very mode of modernity.
The conference wishes to bring together scholars
in the humanities and media studies in order to
discuss the structure and impact of mediation in
the praxis of meaning making in the modern world.
Papers are welcome on the topics listed below, amongst others:
- Keywords in media and culture: Mediation, Premediation and Remediation
- The technologies of mediation: from writing to the new media
- Memory and forms of mediation, representation, testimony
- The ethics of mediation
- Conflict and the art(s) of mediation
- Mediating and remediating identities in the global world
- Hybrid media and cultural hybridization
- Gender and the technologies of mediation
- Mediation in virtual spaces
- Mediation, immersion and simulation
- E-motion and mediation
Submissions must be sent by November 30, 2009 to
www.artsofmediation.net and should consist of
title, 300 word abstract and a short biographical note.
Venue:
CECC - Research Centre for Communication and Culture
http://www.cecc.com.pt/index_en.html
UCP
Palma de Cima
1649-023 LISBOA
PORTUGAL
Organising Committee
Isabel Capeloa Gil
Fernando Ilharco
Carla Ganito
Teresa Ferreira
Catarina Burnay
Patrícia Dias
Gonçalo Silva
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Nico Carpentier (Phd)
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Vrije Universiteit Brussel - Free University of Brussels
Centre for Studies on Media and Culture (CeMeSO)
Pleinlaan 2 - B-1050 Brussels - Belgium
T: ++ 32 (0)2-629.18.56
F: ++ 32 (0)2-629.36.84
Office: 5B.401a
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European Communication Research and Education Association
Web: http://www.ecrea.eu
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E-mail: (Nico.Carpentier /at/ vub.ac.be)
Web: http://homepages.vub.ac.be/~ncarpent/
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