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[ecrea] Cfp for book on popular television and (post)socialism
Sat Oct 10 06:30:30 GMT 2009
Call for Proposals
Entertaining a New Europe: Popular Television in
Socialist and Postsocialist Eastern Europe,
edited by Timothy Havens (University of Iowa),
Aniko Imre (University of Southern California),
and Katalin Lustyik (Ithaca College)
��We welcome contributions for a proposed
edited volume, Entertaining a New Europe:
Popular Television in Socialist and
Postsocialist Eastern Europe. Please send a
brief abstract (200-300 words) and biographical
statement (50-100 words) to
(timothy-havens /at/ uiowa.edu) and/or (imre /at/ usc.edu) by December 1, 2009.
Papers will be due in the fall of 2010.��
This collection of essays responds to the recent
surge of interest in popular television in
Eastern Europe, including both contemporary and
historical studies. This increased attention
follows the â??New Europeâ??sâ?? transition from
state-controlled, relatively isolated national
media systems to an increasingly integrated
European media sphere thoroughly permeated by
processes of globalization and media
convergence. Televisionâ??s transformation has
been especially spectacular, evolving from a
state-controlled broadcast system delivering
national, regional, and heavily filtered Western
programming to an increasingly deregulated,
multi-platform, transnational system delivering
predominantly American and Western European
entertainment programming. Consequently, the
nations of Eastern Europe provide opportunities
to examine the complex interactions among
economic and funding systems, regulatory
policies, globalization, imperialism, popular
culture, and cultural identity. We intend this
collection to be the first serious effort to
establish critical television studies in relation to Eastern Europe.��
Essays may address any aspect of popular
television in Eastern Europe, including the
following: the histories of socialist and
postsocialist television; national and regional
program flows during socialism and today; the
socialist satellite system; television program
trade; censorship; East-West connections during
socialism and today; cross-border television,
convergence and globalization; Europeanization,
television and national identity; gender and
television in Eastern Europe; quality TV;
educational television; childrenâ??s television;
popular television genres (e.g. soap operas,
serial dramas) and television formats (e.g.
reality shows, game shows); fandom and stardom;
nostalgia; advertising; television and new
media; television and film; socialism, consumerism and consumption.
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Nico Carpentier (Phd)
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Vrije Universiteit Brussel - Free University of Brussels
Centre for Studies on Media and Culture (CeMeSO)
Pleinlaan 2 - B-1050 Brussels - Belgium
T: ++ 32 (0)2-629.18.56
F: ++ 32 (0)2-629.36.84
Office: 5B.401a
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European Communication Research and Education Association
Web: http://www.ecrea.eu
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E-mail: (Nico.Carpentier /at/ vub.ac.be)
Web: http://homepages.vub.ac.be/~ncarpent/
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