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[Commlist] CFP: A Conversation Beyond the Script
Sun Oct 13 13:00:44 GMT 2024
Iluminace 2/2025
A Conversation Beyond the Script
Guest editors: Jan Trnka (Národní filmový archiv), Jan Černík (Palacký
University)
Deadline for abstracts: November 15, 2024
Deadline for submissions: February 15, 2025.
During the past decade, the field of writing for the screen and its
academic reflection has undergone several changes. The biggest
challenges for the screenwriting community (mainly in the USA but not
only there) have been the financial remuneration of screenwriters, their
job opportunities, and the rise of artificial intelligence. It resulted
in another WGA strike, with which many regional screenwriting
associations stood in solidarity. Screenwriting studies are responding
to this with a gradual change of perspective. Alongside the continued
interest in teaching screenwriting and narrative patterns, we are
increasingly encountering case studies on regional approaches to
writing, scripting for short formats and VR which can be understood as a
tendency to broaden the field of interest and opportunities for
screenwriters.
We are calling for contributions that address the complex and
multifaceted nature of dialogues and conversations in the screenwriting
and audiovisual industry. This theme can be grasped in two ways: either
as a reflection of dialogues in scripts and audiovisual art or as an
insight into the filmmakers' debates during the development and
production phases or as ways of negotiating between screenwriters and
production companies. Papers may reflect both traditional approaches to
writing and new technologies such as AI and VR.
For the forthcoming issue, we invite authors to send us abstracts
dealing with any of these possible (but not exclusive) topics:
* Dialogues and Discourse in Screenplays: Examining how character
dialogues function within scripts to convey subtext, emotion, and
narrative progression.
* Plurality of Voices and Polylogues: Analyzing scripts that feature
multiple voices and complex conversational structures, reflecting the
diversity of perspectives.
* Dissemination of Information: Investigating how information is shared
through dialogue, affecting audience perception and engagement.
* Storytelling Through Conversation: Exploring the role of
conversational dynamics in shaping narrative and character arcs.
* Collaborative Conversations in Filmmaking: Understanding the impact of
dialogue between writers, directors, and other stakeholders on the
creative process.
* Intercultural Dialogue in Film and Television: Studying how
cross-cultural interactions are represented and negotiated through
dialogue in screenplays.
* History and Theory of Screenwriting: Reflecting on the evolution of
screenwriting practices and theoretical approaches.
* Teaching Screenwriting Techniques: Discussing pedagogical methods and
strategies for teaching dialogue writing and screenplay construction.
* Narrative Strategies in Audiovisual Media: Examining innovative
narrative techniques in film, television, and new media, focusing on the
integration of dialogue.
For further inspiration, see the literature cited at:
<https://www.iluminace.cz/artkey/inf-990000-1400_Call-for-papers.php
<https://www.iluminace.cz/artkey/inf-990000-1400_Call-for-papers.php>>
We invite scholars and practitioners to submit papers that engage with
these topics, offering fresh perspectives and rigorous analysis.
Submissions should be original, unpublished works that contribute to the
academic discourse on screenwriting and filmmaking.
Please send an abstract (250 words) and a short bio (150 words) to
(lucie.cesalkova/at/nfa.cz <http://nfa.cz>), (jan.trnka/at/nfa.cz
<http://nfa.cz>) and (jan.cernik/at/upol.cz <http://upol.cz>) by
November 15, 2024. The authors will be informed of the decision by
December 15, 2024. The deadline for submitting the full article is
February 15, 2025. No payments are required.
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