Archive for October 2022

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[Commlist] MIRAJ: Moving Image Review & Art Journal 11.1 published

Wed Oct 12 20:24:40 GMT 2022





Intellect is pleased to announce that MIRAJ:Moving Image Review & Art Journal 11.1 is out now!


For more information about the journal and issue click here>>

https://www.intellectbooks.com/miraj-the-moving-image-review-art-journal <https://www.intellectbooks.com/miraj-the-moving-image-review-art-journal>


Aims & Scope


The Moving Image Review & Art Journal(MIRAJ) is the first international peer-reviewed scholarly publication devoted to artists’ film and video, and its contexts. It offers a wide-reaching international forum for debates surrounding all forms of artists’ moving image and media artworks: films, video installations, expanded cinema, video performance, experimental documentaries, animations and other screen-based works made by artists. MIRAJ aims to consolidate artists’ moving image as a distinct area of study that bridges a number of disciplines including, but not limited to art, film and media.


Issue 11.1


Editorial <https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00001>

MICHAEL MAZIÈRE AND LUCY REYNOLDS


Articles


‘A long meandering slide’: Feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works <https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00002>

JENNY CHAMARETTE


Exhibition as cinema, cinema as exhibition: Philippe Parreno and the moving image in the museum <https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00003>

OLGA SMITH


Between presence and absence in Tuni Chatterji’s Okul Nodi <https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00004>

PRIYANKA BASU


Features


Material Frampton <https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00005>

RACHEL MOORE


The most beautiful film ever made <https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00006>

MANU RAMOS


Soundings and shadows from immaterial worlds: A post-festival conversation with Lucy Davis and Alia Syed <https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00007>

LUCY DAVIS AND ALIA SYED


Reviews


Biennale de l’Image en Mouvement (Biennial of Moving Image) ’21: A Goodbye Letter, A Love Song, A Wake-Up Call, curated by DIS and Andrea Bellini <https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00008>

MARIA WALSH


Vision Machines, Peggy Ahwesh, curated by Robert Leckie and Erika Balsom <https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00009>

LAUREN HOULTON


Memory and Intermediality in Artists’ Moving Image, Sarah Durcan (2021) <https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00010>

CATHERINE FOWLER


London’s Arts Labs and the 60s Avant-Garde, David Curtis (2020) Artists’ Film, David Curtis (2021) <https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00011>

NICKY HAMLYN


Corrigendum <https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00012>


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