Archive for 2018

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[ecrea] Symposium: Different pasts, foreign countries: Remembering and recreating lost worlds in fiction, media and history

Tue Feb 27 17:18:50 GMT 2018

*Different pasts, foreign countries: *

*Remembering and recreating lost worlds in fiction, media and history*


/A one-day symposium organised by //The Centre for Applied History and the Department of English, /

///Macquarie University, Sydney/

/*Friday, 7 September 2018*/

“The past is a foreign country: they do things differently there.” This famous opening sentence from L.P. Hartley’s /The Go-Between/ (1953) provokes questions of how the “pastness” of the past is remembered, recuperated and represented, especially in this postmodern age where the complications of reconstructing a plausible past are well-known: the problems of erratic and unreliable memory, for example; (hi)stories that are created from fragments of archival evidence and oral interviews; the deliberate choices writers make in emplotting historical narratives, whether fiction or nonfiction; and the role of the writer’s imagination in bringing a past world to life and making it relevant to a present-day audience – the task, in empiricist historian Herbert Butterfield’s words, of transforming a “heap of broken fragments” or a “jumble of pictures” caught from the windows of a passing train into the “spirit of the age” and a “literature of power”.

This one-day symposium focuses on how the lost worlds of the past are conceptualised and created in literature, film, television, digital media, art and history. We are particularly interested in the construction of historical worlds through narrative/story-telling in different genres and media. Possible topics include:

  * close readings of historical fiction that explore the construction
    of particular communities
  * analyses of the /mise-en-scèn/e or diegetic world of historical
  * the construction of Bakhtinian chronotopes of the past
  * how a particular medium or narrative genre influences and/or creates
    the historical world being represented
  * narratives of counterfactual history that re-imagine or re-invent
    past worlds
  * the generic and narratological interplay between literary and
    historical writing
  * reconstructing the narrative worlds of the individual, family or
    community through biography, oral history, family and community history
  * the “archival turn” in narrativising and/or visually representing
    past worlds
  * any other topic related to remembering and recreating past worlds

Please send a 150-200 word proposal to (hsuming.teo /at/ <mailto:(hsuming.teo /at/> or (stephanie.russo /at/ <mailto:(stephanie.russo /at/> by *Friday, 4 May 2018*.

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