[ecrea] Media Industries Publishes Vol. 5, No. 2

/Media Industries /is pleased to announce the publication of its latest 
issue (Vol. 5, No. 2). This issue is now live on our website and 
features both open call submissions and a special section on Global 
Internet Television edited by Amanda D. Lotz (University of Michigan), 
Ramon Lobato (RMIT University), and Julian Thomas (RMIT University).

About Vol. 5, No. 2

Featured Articles

·Commissioning and Producing Public-Service Content: British Arts 
Television – Caitriona Noonan

·The Fan/Creator Alliance: Social Media, Audience Mandates, and the 
Rebalancing of Power in Studio-Showrunner Disputes – Annemarie Navar-Gill

Special Section: Global Internet Television

·Internet-Distributed Television Research: A Provocation – Amanda D. 
Lotz, Ramon Lobato, Julian Thomas

·HBO’s e-EUtopia – Aniko Imre

·Web TV as a Public Service: The Case of Stream.cz, the East-Central 
European Answer to YouTube – Dorota Vašíčková and Petr Szczepanik)

·Entertaining Africans: Creative Innovation in the (Internet) Television 
Space – Lindiwe Dovey

·Creating Children’s Television for SVODs: The Alignment of Global 
Production Practices with National Screen Policies in the Netflix 
Original /Bottersnikes and Gumbles/ – Anna Potter

·Netflix and the Reconfiguration of the Australian Television Market – 
Graeme Turner

·Games without Frontiers: Streaming Sports and the Evolution of Digital 
Intermediaries – Steven Secular

Book Reviews

·Popular Music as Promotion: Music and Branding in the Digital Age – 
Review by Landon Palmer

·(Not) Getting Paid to Do What You Love: Gender,  Social Media, and 
Aspirational Work – Review by Austin Morris

·The New Gay for Pay: The Sexual Politics of American Television 
Production – Review by Kathleen Farrell

·Localising Hollywood – Review by Ryan Stoldt

·The End of Ownership: Personal Property in the Digital Economy – Review 
by Michael Van Esler

·Republic on the Wire: Cable Television, Pluralism, and the Politics of 
New Technologies, 1948-1984 – Review by Chuck Tryon

*Call for Papers*

/Media Industries/accepts open call submissions on a rolling basis, and 
we encourage you to submit your research for our next peer-reviewed issue.

Submissions can address the full spectrum of media industries, including 
film, television, internet, radio, music, publishing, gaming, 
advertising, and mobile communications, and query a range of 
industry-related concerns and processes, such as production, 
distribution, infrastructure, policy, exhibition, and retailing. 
Contemporary or historical studies may explore industries individually 
or examine relations between industrial sectors, employing qualitative, 
quantitative, or mixed methodologies.

We expect contributions to adopt a critical, rather than instrumental, 
perspective and engage with relevant media industries literature. We are 
especially interested in contributions that draw attention to global and 
international perspectives, and use innovative methodologies, 
imaginative theoretical approaches, and new research directions. We 
encourage authors to employ the online format creatively by 
incorporating audiovisual materials and hyperlinks within their articles.

*About /Media Industries/*

The journal is maintained by a managing _Editorial Collective 
<http://www.mediaindustriesjournal.org/about.html>_ and _Editorial Board 
<http://www.mediaindustriesjournal.org/editors.html>_comprised of an 
international group of media industries scholars. Editorial and 
administrative responsibilities are shared amongst faculty members at 
the following institutions: The Chinese University of Hong Kong; Georgia 
State University; King’s College London; Lingnan University; Queensland 
University of Technology; Royal Melbourne Institute of Technology; 
Stockholm University; University of California, Santa Barbara; 
University of Nottingham; and University of Texas at Austin.

*About Michigan Publishing *

In late 2016 /Media Industries /moved its online presence to an 
open-access platform hosted by Michigan Publishing at the University of 
Michigan, Ann-Arbor. Hosting more than 30 open access journals, Michigan 
Publishing shares our commitment to making cutting edge research easily 
discoverable, accessible, and shareable with readers around the world. 
Michigan Publishing’s platform connects with more than two million 
readers per year, which we expect will help expand and strengthen the 
journal’s readership in the years to come.

For additional information about /Media Industries/, please visit://

Website: _mediaindustriesjournal.org <http://mediaindustriesjournal.org/>_

Email: (_mediaindjournal /at/ gmail.com) <mailto:(mediaindjournal /at/ gmail.com)>_

Facebook: _facebook.com/mediaindustriesjournal 
<http://facebook.com/mediaindustriesjournal>_

Twitter: _twitter.com/mediaindjournal <http://twitter.com/mediaindjournal>_

Sincerely, the /Media Industries /Editorial Collective

Amelia Arsenault, Darrell William Davis, Christian Christensen, Stuart 
Cunningham, Michael Curtin, Elizabeth Evans, Terry Flew, Anthony Fung, 
Jennifer Holt, Ramon Lobato, Paul McDonald, Ross Melnick, Alisa Perren, 
Kevin Sanson, Jeanette Steemers, Julian Thomas, and Patrick Vonderau, 
Emilie Yueh Yu Yeh.

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