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[ecrea] CFP: A Manifesto for Cyborgs thirty-years on: Gender, Technology and Feminist-Technoscience in the twenty-first century
Tue Feb 03 21:28:50 GMT 2015
REMINDER ABSTRACTS DUE 27/2/2015
CALL FOR PAPERS
A Manifesto for Cyborgs thirty-years on: Gender, Technology and
Feminist-Technoscience in the twenty-first century
Platform: Journal of Media and Communication
An interdisciplinary journal for early career researchers and graduate
students
Abstracts due: Friday 27th of February, 2015
Volume Editor: Thao Phan
In her iconic essay A Manifesto for Cyborgs: Science, Technology and
Socialist-Feminism in the 1980s, Donna Haraway introduced the metaphor
of the cyborg as an “ironic political myth” to critique the so far
troubling narratives of the West. Published in the Socialist Review in
1985, it brings together a broad spectrum of literacies—from
socialist-feminism, to cybernetics and biopolitics—to proffer a cutting
criticism of Enlightenment humanism, gender essentialism, and military
technoscience. Her provocations created a useful framework to
destabilise rigid boundaries and make fluid the borderlines between
human and animal, organism and machine, natural and artificial, semiotic
and material. Today the Manifesto sits comfortably as part of the canon
of feminist-technoscience and postmodern theory. Although as an
oppositional figure the cyborg is bounded by a historical specificity,
it has certainly found new significance and politics in the contemporary
age of ubiquitous media.
To mark the 30th anniversary since its publication, Platform invites
authors whose work resonates or responds to themes expounded in this
seminal essay. With the benefit of thirty years’ hindsight, what new
observations or critical assessments can be made in regards to the
cyborg as a feminist, tropic figure? Did the cyborg fulfill its promise
of an “historical transformation”? Is the figure of the cyborg still as
useful today, given contemporary technological developments? Or,
conversely, do we need myths like Haraway’s now more than ever? We
encourage the submission of theoretical or empirical work engaging with
applications of, or criticisms of, frameworks used by Haraway, and are
particularly interested in critical papers that provide novel insights
into the relation between gender and technoscience.
Potential topics may include, but are not limited to:
· Cyborg subjectivities in the 21st century
· Gendered tropes in technology
· Novel readings of gender and technoscience
· Trans/queer studies of technology
· Feminist science and/or feminist science and technology studies
· Posthuman subjectivities
· Postgender politics and subjectivities of “affinity”
· Multiple or fractured readings of the cyborg
· Technologies of sex and gender
· Technologies of race and identity
· Critical studies of the body/embodiment
· Feminist histories/historiographies of media, technology or computation
· The informatics of domination
· Biotechnologies and Artificial Intelligence
· Feminism and accelerationist politics
· Feminism and new materialisms
In addition to this special section, we also welcome submissions that
more broadly deal with issues relating to the areas of media,
technology, and communication in theoretical or critical terms.
Please send all enquiries and submissions to (platformjmc /at/ gmail.com).
Abstracts must be accompanied by a brief curriculum vitae and
biographical note, and should not exceed 350 words.
We recommend that prospective authors submit abstracts well before the
abstract deadline of the 27th of February 2015, in order to allow for
feedback and suggestions from the editors. All submissions should be
from early career researchers (defined as being within a few years of
completing their PhD) or current graduate students undertaking their
Masters, PhD, or international equivalent.
All eligible submissions will be sent for double-blind peer-review.
Early submission is highly encouraged, as the review process will
commence on submission.
Platform: Journal of Media and Communication is a fully refereed,
open-access online graduate journal. Founded and published by the School
of Culture and Communication at the University of Melbourne (Australia),
Platform was launched in November 2008. Platform is refereed by an
international board of established and emerging scholars working across
diverse fields in media and communication studies, and is edited by
graduate students at the University of Melbourne.
For more information visit:
http://journals.culture-communication.unimelb.edu.au/platform/call_papers.html
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