CALL FOR PAPERS: Shane Meadows day event, University of East Anglia, April
2010 (date and venue TBC)
Since the attention-grabbing short film Smalltime (1996) and
his debut
feature TwentyFourSeven (1997), director Shane Meadows has emerged
as arguably the most distinctive young filmmaker in contemporary
British cinema. Following the critical and commercial success
of This is
England (2007) - soon to be developed into a TV series by Channel
Four - Meadows has continued his project of providing the forgotten
communities and anonymous spaces of provincial England with a
singular cinematic voice. Having attracted only limited scholarly
attention thus far, the time is ripe for a comprehensive
overview of
Meadows' oeuvre.
We seek original 20 minute papers for an event devoted to Meadows'
output and his place within contemporary British film and
television, and
we plan to publish selected papers as an edited collection.
Topics could include (but are certainly not limited to):
- Representations of gender (particularly masculinity, but also the
possible marginalisation of women in Meadows' films)
- Class and marginal communities/lifestyles
- Race / ethnicity
- Meadows and auteurism
- Regionalism /parochialism
- English-ness / British-ness
- Fatherhood as structuring motif in Meadows' work
- Comedy and the function of humour in Meadows' oeuvre (comparisons
with class-based/regional humour of Peter Kay and Shameless, for
example)
-
Meadows' films and their relationship to the social-realist tradition
- Representations of the family
- Meadows' short films
- Meadows' TV work, including the Shane's World series for Channel 4
- Acting / performance / improvisation in Meadows' films (e.g.
professional
vs. non-professional performers)
- Representation of children / youth
- Nostalgia / the 1980s
- Dialogue / dialect
- Depictions of urban and rural landscape
- Meadows and genre
- Critical / popular reception of Meadows' work
- Meadows' 'independence' and his relationship to contemporary British
cinema / association with Warp records / funding
- Music in Meadows' films
- Meadows' use of digital technology / DIY aesthetic / filmmaking
practice
- His influences and intertexts
Please send 300-word abstracts to Sarah Godfrey ((s.godfrey /at/ uea.ac.uk)) by
31 January 2010.
