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[ecrea] New book on globalization and Indian media
Fri May 29 10:15:15 GMT 2009
UNTIMELY BOLLYWOOD: Globalization and India's
New Media Assemblage (Duke University Press)
Known for its elaborate spectacle of music,
dance, costumes, and fantastical story lines,
Bollywood cinema is a genre that foregrounds
narrative rupture, indeterminacy, and bodily
sensation. In Untimely Bollywood, Amit S. Rai
argues that the fast-paced, multivalent
qualities of contemporary Bollywood cinema are
emblematic of the changing conditions of media
consumption in a globalizing India. Through
analyses of contemporary media practices, Rai
shifts the emphasis from a representational and
linear understanding of the effects of
audiovisual media to the multiple,
contradictory, and evolving aspects of media
events. He uses the Deleuzian concept of
assemblage as a model for understanding the
complex clustering of technological, historical,
and physical processes that give rise to
contemporary media practices. Exploring the
ramifications of globalized media, he sheds
light on how cinema and other popular media
organize bodies, populations, and spaces in
order to manage the risky excesses of power and
sensation and to reinforce a liberalized postcolonial economy.
Rai recounts his experience of attending the
first showing of a Bollywood film in a
single-screen theater in Bhopal: the sensory
experience of the exhibition space, the sound
system, the visual style of the film, the crush
of the crowd. From that event, he elicits an
understanding of cinema as a historically
contingent experience of pleasure, a place where
the boundaries of identity and social spaces are
dissolved and redrawn. He considers media as a
form of contagion, endlessly mutating and
spreading, connecting human bodies,
organizational structures, and energies, thus
creating an inextricable bond between affect and
capital. Expanding on the notion of media
contagion, Rai traces the emerging correlation
between the postcolonial media assemblage and
capitalist practices, such as viral marketing
and the development of multiplexes and malls in India.
Amit S. Rai is Associate Professor of English at
Florida State University. He is the author of
Rule of Sympathy: Race, Sentiment, and Power, 1750?1860.
?Within a rapidly growing body of sophisticated
work on Indian cinema, media, and popular
culture, Untimely Bollywood stands out not only
for its originality but also for its audacity.
Its deft coordination of what at first would
seem wildly heterogeneous topics is simply
dazzling. There are wonderful discussions
throughout that involve themselves in surprising
but consistently illuminating topics, including
art deco theatres, DJ culture, and Dolby sound
in India. The movement through these topics is
as often fun as it is enlightening.??Corey K.
Creekmur, co-editor of Cinema, Law, and the State in Asia
?In bold divergence from representation-based
studies of social identity in cinema, Amit S.
Rai shifts our attention from the spectator?s
encounter with a discrete film text to the media
event or assemblage generating an ecology of
sensations. Packed with original research, a
heterodox range of theoretical influences, and
innovative explorations in the idea of
nonlinearity, Untimely Bollywood goes well
beyond a study of globalization?s impact on
India?s Hindi-language cinema. What it offers
instead is a provocative thesis on affective and
embodied experience under globalization?s new
regimes of media consumption in India.??Priya
Jaikumar, author of Cinema at the End of Empire:
A Politics of Transition in Britain and India
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Nico Carpentier (Phd)
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Vrije Universiteit Brussel - Free University of Brussels
Centre for Studies on Media and Culture (CeMeSO)
Pleinlaan 2 - B-1050 Brussels - Belgium
T: ++ 32 (0)2-629.18.56
F: ++ 32 (0)2-629.36.84
Office: 5B.401a
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European Communication Research and Education Association
Web: http://www.ecrea.eu
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E-mail: (Nico.Carpentier /at/ vub.ac.be)
Web: http://homepages.vub.ac.be/~ncarpent/
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