[Commlist] Expanded Visualities: Photography and Emerging Technologies Issue 15.1-2 published, on Philosophy of Photography

We are pleased to announce publication of /Expanded Visualities: 
Photography and Emerging Technologies/, a special double issue of 
/Philosophy of Photography edited by Theopisti Stylianou-Lambert, 
Kleanthis Neocleous and Andrew Fisher.

*Issue 15.1-2 *

Expanded visualities: Photography and emerging technologies 
<https://intellectdiscover.com/content/journals/10.1386/pop_00088_2>
THEOPISTI STYLIANOU-LAMBERT, KLEANTHIS NEOKLEOUS AND ANDREW FISHER (Free 
to download.)

Photography as clouds: Notes toward the possibility of spatial 
photography 
<https://intellectdiscover.com/content/journals/10.1386/pop_00089_1>
ROI BOSHI

Questions of (un)framedness in the post-cinematic road movie/travelogue 
<https://intellectdiscover.com/content/journals/10.1386/pop_00090_1>
HELEN KIRWAN AND SIMON PRUCIAK

The uncanniness of interactive photography: Exploring spatial perception 
in virtual tours and structure from motion 
<https://intellectdiscover.com/content/journals/10.1386/pop_00091_1>
DORON ALTARATZ

vegetal/digital: Photogrammetry point-clouds of Australian flowers 
<https://intellectdiscover.com/content/journals/10.1386/pop_00092_7>
ALISON BENNETT

Towards a photographic representation of the experience of seeing: 
Synthetic views via neural radiance fields 
<https://intellectdiscover.com/content/journals/10.1386/pop_00093_1>
ANDREW BURRELL

The first frame: A camera-less photographic encounter with the foetus 
<https://intellectdiscover.com/content/journals/10.1386/pop_00094_1>
CHERINE FAHD

Analog(ue) photography 
<https://intellectdiscover.com/content/journals/10.1386/pop_00095_7>
FRANCES CULLEN

 From outer space to latent space 
<https://intellectdiscover.com/content/journals/10.1386/pop_00096_1>
EMILIE K. SUNDE

Navigating subjectivity in AI-generated photography: The quest for 
ethics and creative agency 
<https://intellectdiscover.com/content/journals/10.1386/pop_00097_1>
PAULA GORTÁZAR

Disappearance of the face: From early photography to facial recognition 
systems <https://intellectdiscover.com/content/journals/10.1386/pop_00098_1>
MARTIN CHARVÁT

Synthography: A term for synthetically created photo-realistic images 
<https://intellectdiscover.com/content/journals/10.1386/pop_00099_7>
ELKE REINHUBER

Operational Images: From the Visual to the Invisual, Jussi Patikka 
(2023) <https://intellectdiscover.com/content/journals/10.1386/pop_00100_5>
LALIV MELAMED

/Philosophy of Photography/ is an international peer-reviewed journal 
published six monthly in the spring and autumn. The journal's aim is to 
provide a forum for theoretical and critical debate of issues arising 
from the historical, political, cultural, scientific and critical matrix 
of ideas, practices and techniques that constitute photography as a 
multifaceted and changing form. In a contemporary context characterised 
by its diversity and rapid rate of transformation, the conjunction of 
‘philosophy' and ‘photography' in the journal's title is intended to 
provoke reflection on the ways in which existing and emergent discourses 
might engage with each other to inform our understanding of the visual 
milieu we live in and suppose ourselves to share. Other recent special 
issues have have explored modes of cameraless photography (POP 13.2), 
violence and its relation to the contemporary image (POP 13.2 & 14.1) 
and glitch aesthetics (POP 14.2). Further information can be found on 
the journal’s webpage: 
https://www.intellectbooks.com/philosophy-of-photography 
<https://www.intellectbooks.com/philosophy-of-photography>

The editors warmly invite submissions from researchers and practitioners 
who seek to explore any aspect of photography as well as related modes 
of imaging and visual or digital culture from a critical and theoretical 
standpoint. The journal publishes articles, interviews, critical 
commentaries, print symposia on key topics, book reviews, conference 
reports and analyses of specific technical developments as well as new 
English translations of significant work on photography in other 
languages. The editors are happy to consider proposals in the form of 
photographic / artistic works.

*Editors*

Andrew Fisher, FAMU, Prague, Czechia:
(andrewthomas.fisher /at/ famu.cz) <mailto:(andrewthomas.fisher /at/ famu.cz)>

Bernd Behr, Camberwell College of Arts:
(b.behr /at/ camberwell.arts.ac.uk) <mailto:(b.behr /at/ camberwell.arts.ac.uk)>

Alex Fletcher, Central Saint Martins, University of the Arts London:
(a.c.fletcher /at/ csm.arts.ac.uk) <mailto:(a.c.fletcher /at/ csm.arts.ac.uk)>

Noa Levin, Università della Svizzera italiana, Switzerland:
(noa.levin /at/ usi.ch) <mailto:(noa.levin /at/ usi.ch)>

















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