[Commlist] NECSUS Spring 2023_#Ports - New journal issue online

A new open access issue of NECSUS - European Journal of Media Studies is 
now available online. The NECSUS Spring 2023 issue offers a special 
article section on #Ports, while also containing feature articles, 
interviews, exhibition, festival and book reviews, an audiovisual essay 
section on ‘Desktop Documentary’, as well as a new section on ‘Data 
Papers'. Find the new journal issue here 
<https://necsus-ejms.org/portfolio/spring-2023_ports/>.

Editorial NECSUS 
<https://necsus-ejms.org/editorial-necsus-spring-2023_ports/>

*Special section: #Ports*

*edited by Maria Vélez-Serna and Markus Stauff*

Ports: On the material and symbolic mediation of global capitalism 
<https://necsus-ejms.org/ports-on-the-material-and-symbolic-mediation-of-global-capitalism/> 
/by Maria Vélez-Serna and Markus Stauff /

Ports and the politics of visibility: An interview with Laleh Khalili 
<https://necsus-ejms.org/ports-and-the-politics-of-visibility-an-interview-with-laleh-khalili/> 
/by Maria Vélez-Serna and Markus Stauff /

Port of call: The eyeline of the logistical image 
<https://necsus-ejms.org/port-of-call-the-eyeline-of-the-logistical-image/>/ by 
Stephen Turner/

Ports as nodes in film logistics: Swedish film agent Oscar Rosenberg in 
the years after the First World War 
<https://necsus-ejms.org/ports-as-nodes-in-film-logistics-swedish-film-agent-oscar-rosenberg-in-the-years-after-the-first-world-war/>/ by Mats 
Björkin/

The use of sound and film as rebranding strategies in two Danish port 
cities 
<https://necsus-ejms.org/the-use-of-sound-and-film-as-rebranding-strategies-in-two-danish-port-cities/>/ by 
Ida Sofie Gøtzsche Lange & Lea Holst Laursen & Marieke van Hulst Pedersen/

‘The shipyard is dead’: Ports, memory, and left melancholy in 
contemporary French cinema 
<https://necsus-ejms.org/the-shipyard-is-dead-ports-memory-and-left-melancholy-in-contemporary-french-cinema/> 
/by Ben Scott/

Ports and media: A research project showcase 
<https://necsus-ejms.org/ports-and-media-a-research-project-showcase/>

*Features*

From cloudy logic to logistical system: Algorimages, black boxes, and 
the socio-technical infrastructure of platforms 
<https://necsus-ejms.org/from-cloudy-logic-to-logistical-system-algorimages-black-boxes-and-the-socio-technical-infrastructure-of-platforms/> 
/by Leo Hansson Nilson/

Cinema and/as infrastructure in interwar avant-gardes and empire 
aviation documentaries 
<https://necsus-ejms.org/cinema-and-as-infrastructure-in-interwar-avant-gardes-and-empire-aviation-documentaries/> 
/by Anu Thapa/

First person war: Helmet cameras between testimony and performance 
<https://necsus-ejms.org/first-person-war-helmet-cameras-between-testimony-and-performance/> 
/by Federico Selvini/

National film festivals circuits in the Latin American sphere: 
Discussing film canon, film culture, and cinephilia 
<https://necsus-ejms.org/national-film-festivals-circuits-in-the-latin-american-sphere-discussing-film-canon-film-culture-and-cinephilia/>/ by Sebastián 
González Itier/

Girls will be boys in German silent cinema 
<https://necsus-ejms.org/girls-will-be-boys-in-german-silent-cinema/> 
/by Laura Horak/

Desire lines: An interview on the sociality of film with B. Ruby Rich 
<https://necsus-ejms.org/desire-lines-an-interview-on-the-sociality-of-film-with-b-ruby-rich/> 
/by Dagmar Brunow and Skadi Loist/

*Audiovisual Essays: Desktop Documentary*

*          guest edited by Kevin B. Lee and Ariel Avissar*

Desktop documentary as scholarly subjectivity: Five approaches 
<https://necsus-ejms.org/desktop-documentary-as-scholarly-subjectivity-five-approaches/> 
/by Kevin B. Lee and Ariel Avissar/

Desktop Documentary <https://necsus-ejms.org/desktop-documentary/> /by 
Johannes Binotto /

“With a Camera in Hand, I was Alive 
<https://necsus-ejms.org/with-a-camera-in-hand-i-was-alive/>” /by Katie 
Bird/

Double Exposures: ‘Visual returns’ in the Deadwood and Breaking Bad 
sequel films 
<https://necsus-ejms.org/double-exposures-visual-returns-in-the-deadwood-and-breaking-bad-sequel-films/> 
by Brunella Tedesco-Barlocco

Indians from 1967: A Reaction 
<https://necsus-ejms.org/indians-from-1967-a-reaction/> /by Ritika Kaushik/

Some Thoughts Occasioned by Four Desktops 
<https://necsus-ejms.org/some-thoughts-occasioned-by-four-desktops/> /by 
Ariel Avissar /

*Festival Reviews: Focus on Latin America*

*          edited by Marijke de Valck, Diane Burgess and Antoine Damiens*

Arquivo em Cartaz: Archival film festivals amid old and new challenges 
<https://necsus-ejms.org/arquivo-em-cartaz-archival-film-festivals-amid-old-and-new-challenges/> 
/by Juliana Muylaert/

17th DocsMX: Returning to the streets and meeting with audiences 
<https://necsus-ejms.org/17th-docsmx-returning-to-the-streets-and-meeting-with-audiences/>/ by Bianca 
Pires/

Havana Film Festival New York 2022: A cultural bridge emerging from 
COVID-19 
<https://necsus-ejms.org/havana-film-festival-new-york-2022-a-cultural-bridge-emerging-from-covid-19/> 
/by Michelle Farrell/

*Book Reviews*

*          edited by Victoria Pastor-González and Patricia Nogueira*

Experiencing Cinema / Ephemeral Cinema 
<https://necsus-ejms.org/experiencing-cinema-ephemeral-cinema/> /by Sian 
Barber /

The many stories of cinema and cinephilia in Pakistan 
<https://necsus-ejms.org/the-many-stories-of-cinema-and-cinephilia-in-pakistan/>/ by Syeda 
Momina Masood/

*Exhibition Reviews*

*          edited by Miriam de Rosa and Annet Dekker*

An infinite exhibition fills the nave: Laurent Grasso’s ANIMA 
<https://necsus-ejms.org/an-infinite-exhibition-fills-the-nave-laurent-grassos-anima/> 
/by Oksana Chefranova/

Becoming Geological: Imagining an affirmative otherwise 
<https://necsus-ejms.org/becoming-geological-imagining-an-affirmative-otherwise/> 
/by Rick Dolphijn and Justyna Jakubiec/

*Data Papers*

*          edited by **Alexandra Schneider and Malte Hagener*

Data Papers – An Introduction 
<https://necsus-ejms.org/data-papers-an-introduction/> /by Alexandra 
Schneider and Malte Hagener/

How to capture the festival network: Reflections on the Film Circulation 
datasets 
<https://necsus-ejms.org/how-to-capture-the-festival-network-reflections-on-the-film-circulation-datasets/>/ by 
//Skadi Loist and Evgenia (Zhenya) Samoilova/


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