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[Commlist] New book: Interactive Documentary: Theory and Debate
Thu Jul 15 21:55:47 GMT 2021
New book - Interactive Documentary: Theory and Debate
Exploring the dizzying collection of work at the intersection of
documentary and digital media practice this new book explores key
debates in the growing field of interactive documentary. The book is
grounded in the analysis of multiple examples of recent (and not so
recent) digital documentary work from documentary games to virtual
reality, database, data visualisations and simulations. It is also
grounded in a consideration of key debates: what are the implications of
a turn toward non-narrative form for documentary? How helpful is empathy
as a way of conceptualising the positioning of audiences in virtual
reality experiences? and what does it mean to think about simulating the
real? The book explores polyvocality, participation, and political voice
as well as the sociality and performativity of digital documentary
practice focusing inquiry on how our engagement with realities might be
shifting (or not).
Chapter one considers the documentary database and nonlinearity and
polyvocality which have been persistent, albeit marginal, desires in
documentary history. Digital media, and particularly contemporary
database documentary practice take these desires as a starting point for
practice. Going beyond a simple celebration of the nonlinear, the
chapter considers how contemporary database forms represent realities.
Chapter two considers participation in interactive documentary and the
ways in which knowledge claims are grounded in the social relationships
interactive documentaries foster. The chapter aims to build a framework
for thinking about participation as voice in documentary. Building on
this, the third chapter considers participation through documentary,
examining a number of projects to consider the different ways in which
interactive documentary projects connect with political processes. From
micro-documentary to more mainstream projects, the connection between
documentary media and the spaces of politics is explored. Chapter four
focuses on documentary games and the ways in which they might engage
realities - playfully, per formatively and partially. Making connections
with documentary practice - subjunctive documentary, re-enactment and
staging - the chapter develops simulation as a term with currency for
digital documentary scholarship. Building on this, chapter five
considers virtual reality documentary as a form of first person media.
In place of sweeping claims about the effects of VR technologies, the
chapter explores the different ways in which viewers are positioned
within experiences. Finally, the book considers data and documentary
practice. Making connections with documentary history - both social
science and the surrealism of Mass Observation - the chapter considers
some of the different roles that data has come to play in interactive
documentaries.
Kate Nash is Associate Professor in the School of Media and
Communication at the University of Leeds and Co-Editor of Studies in
Documentary Film
More info here
https://www.routledge.com/Interactive-Documentary-Theory-and-Debate/Nash/p/book/9781138631472
<https://www.routledge.com/Interactive-Documentary-Theory-and-Debate/Nash/p/book/9781138631472>
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