Archive for publications, January 2020

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[Commlist] New issue of SoundEffects journal published

Fri Jan 24 11:45:06 GMT 2020





SoundEffects vol. 9 iss. 1: Sound and Participation

Edited by Iben Have and Vadim Keylin.

The rising prominence of interactive media and technologies has brought about an increased scholarly interest in participatory phenomena. This issue of SoundEffects aims to put a sonic spin on participation studies and emphasize the dialogic and participatory aspects of auditory culture.

Editorial:

Sound and participation (Iben Have & Vadim Keylin): https://www.soundeffects.dk/article/view/118244

Articles:

Co-consuming a “fun addiction”: Buying, desiring, and using Eurorack together online (Farley Miller): https://www.soundeffects.dk/article/view/112699

Noise over signal: Phonography culture as participatory (Jason W. Luther and Patrick Williams): https://www.soundeffects.dk/article/view/116688

Algorithmic interactive music generation in videogames: A modular design for adaptive automatic music scoring (Alvaro E. Lopez Duarte): https://www.soundeffects.dk/article/view/118245

Sound production as a cultural practice: Recording studios in the Northern Region of Malawi (Piotr Cichocki): https://www.soundeffects.dk/article/view/118246

Community as a discursive construct in contemporary Danish singing culture (Lea Wierød Borčak): https://www.soundeffects.dk/article/view/113023

Crash, boom, bang: Affordances for participation in sound art (Vadim Keylin): https://www.soundeffects.dk/article/view/118243

Silences and policies in the shared listening: Ultra-red and Escuchatorio (Susana Jiménez Carmona): https://www.soundeffects.dk/article/view/112931

The soundscape of Islamic populism: Auditory publics, silences and the myth of democracy (Nil Basdurak): https://www.soundeffects.dk/article/view/112804

The whole issue can be found here:

https://www.soundeffects.dk/issue/view/8519

SoundEffects (http://soundeffects.dk) is an open access, international, peer-reviewed journal on sound and sound experience operating on the Open Journal System. SoundEffects brings together a plurality of theories, methodologies, and historical approaches applicable to sound as both mediated and unmediated experience. The journal primarily addresses disciplines within media and communication studies, aesthetics, musicology, comparative literature, cultural studies, psychology and sociology. In order to push the boundary of interdisciplinary sound studies into new areas, we also encourage contributions from disciplines such as health care, architecture, and sound design. As an international journal taking a humanities-based interdisciplinary approach to sound, SoundEffects is responding to the increasing global interest in sound studies.

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