Archive for publications, January 2020

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[Commlist] Journal of Screenwriting 10.3 published

Thu Jan 02 11:39:51 GMT 2020




Intellect is excited to announce that /Journal of Screenwriting/ 10.3 is now available!


This is a Special Issue discussing, ‘Historiographic Research in Screenwriting’.


For more information about the special issue and journal, click here >> https://www.intellectbooks.com/journal-of-screenwriting


*Aims & Scopes*


The /Journal of Screenwriting/ is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice.


*Issue 10.3*


_Editorial <https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00001>_

STEVEN PRICE AND CLAUS TIEBER


_Articles_


Die Filmprimadonna (The Film Primadonna, 1913): A case study of the fiction of a screenplay and the process of filmmaking in German early cinema <https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00002>

JAN HENSCHEN


Once again into the cabinets of Dr. Caligari: Evil spaces and hidden sources of the Caligari screenplay <https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00003>

ALEXANDRA KSENOFONTOVA


Reel by reel: Jan Stanislav Kolár’s narrative poetics in the context of transition to feature-length format in Czech silent cinema <https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00004>

MARTIN KOS


<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00005>

Walter Reisch: The musical writer <https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00005>

CLAUS TIEBER


Network television writers and the ‘race problems’ of 1968 <https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00006>

CARYN MURPHY


From dialogue writer to screenwriter: Pier Paolo Pasolini at work for Federico Fellini <https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00007>

CLAUDIA ROMANELLI


_Book Reviews_


Crash! Boom! Bang! How to Write Action Movies, Michael Lucker (2017) <https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00008>

JENNIFER ANNE MARTIN


Words in Action: Forms and Techniques of Film Dialogue, Paolo Braga (2015) <https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00009>

JACKIE PEREZ


Off the Page: Screenwriting in the Era of Media Convergence, Daniel Bernardi and Julian Hoxter (2017) <https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00010>

ANNA WEINSTEIN


FrameWork: A History of Screenwriting in the American Film, 3rd ed., Tom Stempel (2000) <https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00011>

C. J. EHRLICH


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