Archive for publications, December 2016

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[ecrea] Studies in Spanish & Latin American Cinemas, volume 13, issue 3

Tue Dec 06 13:34:58 GMT 2016

Intellect has pleasure in announcing the publication of Volume 13, issue 3 (2016) of /Studies in Spanish & Latin America Cinemas./

Dedicated to the study of Spanish-speaking and Latin American cinemas, as well as television and new media, the journal//is indexed on Scopus, MLA International Bibliography, British Humanities Index and many others. Coverage includes the cinemas of Spain and Spanish-speaking South, Central and North America, including the Caribbean, and Brazil.

For more information, to submit or subscribe, please click <,id=172/>here <,id=125/> or email (nicola /at/ <http://(nicola /at/>. Subscription access to the full issue on Ingenta:

*_Accented cinema and beyond: Latin American minor cinemas in Sweden, 1970–1990 <> _*
pp. 227-245(19)
Authors:/Andersson, Lars Gustaf; Sundholm, John/

/This article explores the professional and non-professional Latin-American film-making that took place in Sweden in the 1970s to 1990s, much of which is excluded from canonical film history, whilst arguing the importance of the concept of minor cinema/

*_Un/framing identity: Space and colour in Pedro Almodóvar’s /Pepi, Luci, Bom y otras chicas del montón/Pepi, Luci, Bom and Other Girls Like Mom (1980)/ <>//_*
pp. 247-263(17)
Author:/Ceia, Vanessa/
/Through the study of //Almodóvar’s use of //space, Ceia sheds light on the director's// questioning of the relationship between institutionalised and alternative social identities in post-authoritarian Spain. /
/*Remembering in ruins: Touching, seeing and feeling the past in Nostalgia de la luz/Nostalgia for the Light ([2010] 2011)* <>
pp. 265-281(17)
Author:/Murphy, Kaitlin M./
/The article examines the documentary /Nostalgia for the Light /([2010] 2011)//in response to questions of how to reconcile trauma with memory in the wake of atrocities in twentieth century Latin America. /

//*_(In)visible bodies and cultural imperialism: Jalisco canta en Sevilla/Jalisco Sings in Sevilla, Teatro Apolo/Apollo Theatre and the star discourse of Jorge Negrete in Spain <> _*
pp. 283-301(19)
Author:/Norton, Diana/

/Norton argues that Jorge Negrete’s Spanish films ignore the important discourse on Mexican identity, resulting in his invisibility in the study of male Mexican film stars in film scholarship /
///*‘I haven’t done anything wrong!’ Melodrama and victimization in Las 13 rosas/13 Roses (2007) and La voz dormida/The Sleeping Voice (2011) <> *
pp. 303-317(15)
Author:/Rodríguez-Solás, David/
/This article examines the representation of repression in Francoist Spain through visual narration, and explores how the audience's experiences are affected by the downplaying of debates on historical memory in the films/
////*Buñuel’s social close-up: An entomological gaze on El ángel exterminador/The Exterminating Angel (1962* <>) <>
pp. 319-337(19)
Author:/Ramey, James/

/Ramey offers a new interpretation of Luis Buñuel’s film-making through the examination of his entomology training and theory of the Griffithian close-up as a film-making technique/
*_Reviews <> _*
pp. 339-354(16)
Authors:/Marín, Yarí Pérez; Zubiaurre, Maite; Mérida Jiménez, Rafael M.; Navarro, Sandra V.; Noble, Fiona; Benet, Vicente J./

*Call for papers:*

Studies in /Studies in Spanish & Latin American Cinemas /welcomes contributions that deal with the study of Spanish-speaking and Latin-American cinemas around the world. The editors are particularly interested in publishing work from younger scholars and in less-developed areas of study. To submit please see the call for papers section below:

<,id=125/view,page=2/><,id=172/view,page=2>,id=172/view,page=2 <,id=125/view,page=2/>/ <,id=125/view,page=2/>

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