[ecrea] *Scope* 17: Using Moving Image Archives e-book now published

>Scope: An Online Journal of Film and Television Studies issue 17(NS) 
>has been published. This issue represents our second e-book edition, 
>Using Moving Image Archives, edited by Nandana Bose and Lee 
>Grieveson. We hope readers will enjoy this free-to-all collection of 
>original scholarship on film, television and digital archives.
>
>The e-book may be found here: 
>http://www.scope.nottingham.ac.uk/archives/indexcov.php
>
>The table of contents is reproduced below.
>
>Best,
>
>Mark Gallagher and Julian Stringer
>Co-editors, Scope: An Online Journal of Film and Television Studies
>Department of Culture, Film and Media
>School of Modern Languages and Cultures
>University of Nottingham
>Nottingham NG7 2RD UK
>
>*Scope* # 17 (June 2010): Using Moving Image Archives
>Edited by Nandana Bose and Lee Grieveson
>
>FULL ISSUE AS e-BOOK
>
><http://www.scope.nottingham.ac.uk/archives/chapter.php?id=1>Notes 
>on Contributors
>
><http://www.scope.nottingham.ac.uk/archives/chapter.php?id=2>Acknowledgements
>Nandana Bose and Lee Grieveson
>
><http://www.scope.nottingham.ac.uk/archives/chapter.php?id=3>Introduction
>Nandana Bose and Lee Grieveson
>
>Part I: The Archive and the Nation
>
><http://www.scope.nottingham.ac.uk/archives/chapter.php?id=4>Amateur 
>Film and the Interwar English Countryside
>Michael McCluskey 
><http://www.scope.nottingham.ac.uk/archives/chapter.php?id=5>
>
><http://www.scope.nottingham.ac.uk/archives/chapter.php?id=5>Critical 
>Reflections on Film as a Historical Source: A Case Study of the 
>Military Regime in Brazil
>Nina Schneider
>
>Part II: The Ephemerality and Textuality of the Archive
>
><http://www.scope.nottingham.ac.uk/archives/chapter.php?id=6>Audiences 
>from the Film Archive: Women's Writing and Silent Cinema
>Lisa Stead
>
><http://www.scope.nottingham.ac.uk/archives/chapter.php?id=7>Archival 
>Realities and Contagious Spaces: Shopgirls, Censorship and the City 
>in Damaged Goods
>Heida Johannsdottir
>
>Part III: The Televisual and Digital Archive
>
><http://www.scope.nottingham.ac.uk/archives/chapter.php?id=8>Reading 
>Political Comedy: Yes Minister and Comic Coherence
>Matt Crowder
>
><http://www.scope.nottingham.ac.uk/archives/chapter.php?id=9>The 
>Representation by French Television of Building Construction Work in 
>and around Paris During the 1960s
>Jacob Paskins
>
><http://www.scope.nottingham.ac.uk/archives/chapter.php?id=10>Archives 
>and Prefigurative Practices: Digital Games Walkthrough Archives as 
>Record and Resource
>Daniel Ashton

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Nico Carpentier (Phd)
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Vrije Universiteit Brussel - Free University of Brussels
Centre for Studies on Media and Culture (CeMeSO)
Pleinlaan 2 - B-1050 Brussels - Belgium
T: ++ 32 (0)2-629.18.56
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Office: 5B.401a
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New Book:
Trans-Reality Television
The Transgression of Reality, Genre, Politics, and Audience.
Lexington. (Sofie Van Bauwel & Nico Carpentier eds.)
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