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[Commlist] Call for Proposals: Media Theory Conference
Tue May 06 22:10:54 GMT 2025
Media Theory at the Coach House
Inaugural Conference*//*
November 7-8, 2025
Centre for Culture and Technology, University of Toronto
“Media theory seems eclipsed by the ubiquity of its objects” (Rossiter,
2017). This observation from the inaugural issue of our journal//is no
less relevant today. While Ned Rossiter’s focus was on the prevalence of
fake news and on paranoia as a methodological tool, the installation of
media forms in all aspects of life continues to present acute practical,
cultural, affective, and epistemological challenges—perhaps more than
ever. Automation, algorithmic governance, and ecological crises together
with accelerationist billionaires and the declining influence of
activist networks are all intensified by the unraveling of geopolitical
order and resurgence of fascism worldwide. This reality presents
significant risks and yet has become a commonplace feature of our daily
existence.
The /Media Theory /journal was launched in 2017 to address these
mounting challenges by way of /deprovincializing/ the field of inquiry:
to disentangle media theory from a predictable constellation of
industries, disciplines, traditions, and regions, and equally to
question what it means to theorize in a context where, as M. Beatrice
Fazi (2017) writes, “high-speed computational operations are now driving
both invention and discovery.” In addressing these critical needs, the
journal was inspired by a further, and admittedly more speculative aim
to move academic publishing towards radical alternatives and
experimentation, to push the boundaries of what a journal can be, and
ultimately, “to develop a transnational and transdisciplinary forum of
debate on media theory and academic publishing” (Dawes, 2017).
Ahead of the journal’s tenth anniversary, we invite proposals for papers
for the inaugural conference of the Media Theory Association, held on
Friday November 7^th and Saturday November 8^th , 2025, at the Centre
for Culture and Technology, University of Toronto. **
Contributions in any aspect of media theory are encouraged, including
the following:
- Rethinking definitions of ‘media’, ‘communication’ and ‘communications’;
- Rethinking distinctions between ‘theory’, ‘theories’ and ‘philosophy’;
- Transcending disciplinary boundaries and deprovincializing theoretical
debate;
- Readdressing neglected theorists and proposing alternative histories
of media theory;
- Critiquing blindspots in dominant approaches and critically engaging
with alternative or marginalized perspectives;
- Debating openness, independence, open access, peer-review and the role
of an academic journal.
Proposals of up to 500 words, accompanied by an indicative bibliography
and a short biographical note, for 15-minute papers should be sent to
the editors of the journal, Simon Dawes (UVSQ-Paris Saclay, France) and
Joshua Synenko (Trent University, Canada), at
(editors /at/ mediatheoryjournal.org) <mailto:(editors /at/ mediatheoryjournal.org)>by
June 30^th 2025. Please use the subject heading “Media Theory
Conference.” Decisions will be confirmed by July 15^th 2025.
Participants will also be encouraged to submit full article length
versions of their conference papers to the journal by March 1^st 2026.
Following the usual peer-review process, accepted articles will be
published in the fall of 2026.
ABOUT THE JOURNAL
Media Theory (mediatheoryjournal.org <http://mediatheoryjournal.org/>)
was established in 2017 as an independent (scholar-led), online and
(libre) open access journal of peer-reviewed, theoretical interventions
into all aspects of media and communications. The journal has no APCs
and no fees whatsoever for readers or contributors. Resolutely
international and interdisciplinary in scope, the journal encourages
submissions that critically engage with the theoretical frameworks and
concepts that tend to be taken for granted in national or disciplinary
perspectives. Following the inaugural issue of ‘Manifestos’ from the
editorial collective, the journal has published special issues on
‘Geospatial Memory’, ‘Revolting Media, ‘Rethinking Affordance’,
‘Mediating Presents’, ‘Into the Air’, ‘Pharmacologies of Media’,
‘Critique, Postcritique and the Present Conjuncture’ and ‘Seeing
Photographically’, as well as special sections on Ed Herman, Paul
Virilio, Michel Serres, Lauren Berlant and Charles W. Mills, with
forthcoming issues on ‘Stimulating Media’, ‘Videogame Theory’ and
‘Transnational Technocultures’.
Although the journal privileges an emphasis on theory, the editors are
not only concerned with theory for theory’s sake. Rather, we are
interested in how theoretically-informed and -engaged interventions can
contribute to the interpretation of empirical research and critique, as
well as to the deprovincialization of theoretical debate – helping us
understand, rather than dismiss or describe, objects of critique, and
making us reconsider the validity, efficacy and legitimacy of our own
particular methodological approaches.
ABOUT THE KEYNOTE SPEAKERS
Shane Densonis Professor of Film and Media Studies and, by Courtesy, of
German Studies and of Communication at Stanford University, where he
also serves as Director of the PhD Program in Modern Thought &
Literature. His research interests span a variety of media and
historical periods, including phenomenological and media-philosophical
approaches to film, digital media, and serialized popular forms. He is
the author of /Post-Cinematic Bodies /(meson press, 2023),
/Discorrelated Images/ (Duke University Press, 2020) and
/Postnaturalism: Frankenstein, Film, and the Anthropotechnical
Interface/ (Transcript-Verlag, 2014) and co-editor of several
collections: /Transnational Perspectives on Graphic
Narratives**/(Bloomsbury, 2013), /Digital Seriality/ (special issue of
/Eludamos: Journal for Computer Game Culture/, 2014), and /Post-Cinema:
Theorizing 21st-Century Film/ (REFRAME Books, 2016). See shanedenson.com
<http://shanedenson.com/>for more information.
Alessandra Renzi is Associate Professor of Communications, Concordia
University. Dr. Renzi’s interdisciplinary work explores the linkages and
relays between media, art and civic engagement through community-led
research, ethnographic studies and media projects. She has studied
pirate television networks in Italy, the surveillance of social
movements in Canada after 9-11 and housing and data justice in Indonesia
and Canada. Her current research investigates how society’s increasing
reliance on platforms, algorithms and AI is changing urban landscapes
and community organizing alike. She is the PI of a Social Sciences and
Humanities Research Council (SSHRC) Insight Grant titled “On the Margins
of the Platform Economy: Community-led Responses to Technical
Gentrification,” with focus on Montreal’s Parc Extension neighbourhood.
ABOUT THE VENUE
The Centre for Culture and Technology is dedicated to theoretical,
aesthetic, and critical inquiry into the ways contemporary media shape
contemporary forms of experience and our prospects for living together
and relating to one another in an interconnected world. In this project,
the Centre draws inspiration from Marshall McLuhan’s humanistic
intellectual and institutional legacy. In his words, “The object of the
Centre is to pursue by a wide variety of approaches an investigation
into the psychic and social consequences of technologies.” The Centre's
pursuit of this investigation is dedicated not only to contemporary
media and its effects, but also to the contemporary critical approaches
necessary for understanding our media: feminist, queer, decolonial, and
antiracist.
Because humanistic media studies gets on in conversation with artists
and their work, the Centre will not only pursue humanistic inquiry into
contemporary media, but will also foster aesthetic experimentation as a
mode of inquiry. McLuhan taught that “media alter our sense ratios.” He
also wrote that it is artists who are able to grasp such changes in
experience, to bring news of such changes, and to make those changes
matters of common concern. Taking this charge seriously, the Centre will
support the production of and conversation about contemporary media art.
It will also support the study of a wide variety of aesthetic media—fine
art, literature, cinema, music, and so on—for their lessons in reckoning
with contemporary media. It will, finally, support the study of media
aesthetics in an expanded sense, promoting inquiry into the ways
technological media shape contemporary experience, by elaborating its
histories, its problems, its infrastructures, and its politics.
The Centre offers both a setting and an institutional framework for this
inquiry, providing space and programming for scholars working in
humanistic media studies across the three campuses of the University of
Toronto and in the GTA.
On Tue, May 6, 2025 at 11:20 AM Nico CARPENTIER
<(nico.carpentier /at/ fsv.cuni.cz) <mailto:(nico.carpentier /at/ fsv.cuni.cz)>> wrote:
Dear Josh,
Sorry, but that's not enough. Open access is more and more used as open
access for readers, and not for contributors. I'd say it became a
floating signifier :)
This is why the commlist always needs an explicit statement that no
APCs
are required to be paid.
Can you add that sentence, and resend it to the posting email address?
Thanks,
Nico
On 06.05.2025 17:14, Joshua Synenko wrote:
> Yes, there is a sentence regarding "no APCs," as you will find in
the
> copy, which I quote here: "Media Theory (mediatheoryjournal.org
<http://mediatheoryjournal.org> <http://
> mediatheoryjournal.org <http://mediatheoryjournal.org>>
<http://mediatheoryjournal.org/ <http://mediatheoryjournal.org/>
<http://
> mediatheoryjournal.org/ <http://mediatheoryjournal.org/>>>) was
established in 2017 as an independent
> (scholar-led), online and (libre) open access journal of
peer-reviewed,
> theoretical interventions into all aspects of media and
communications."
>
> Best
> Josh
>
> On Tue, May 6, 2025 at 11:12 AM Nico CARPENTIER
> <(nico.carpentier /at/ fsv.cuni.cz) <mailto:(nico.carpentier /at/ fsv.cuni.cz)>
<mailto:(nico.carpentier /at/ fsv.cuni.cz)
<mailto:(nico.carpentier /at/ fsv.cuni.cz)>>> wrote:
>
> Dear Josh,
>
> Thanks for sending in a posting request for the commlist.
>
> Can you please make sure all commlist guidelines are
followed? You'll
> find them at commlist.org <http://commlist.org>
<http://commlist.org <http://commlist.org>>
>
> please note that there is no "reading the guidelines"
support, but you
> might want to look at the need for a "No APC statement".
>
> Kind regards,
> n
>
> On 06.05.2025 16:46, Joshua Synenko wrote:
> > Dear Nico,
> >
> >
> > Please consider posting this call for proposals for the
Media Theory
> > journal with gratitude.
> >
> >
> > Josh
> >
> >
> >
>
----------------------------------------------------------------------------------------
> >
> >
> > Media Theory at the Coach House
> >
> > Inaugural Conference*//*
> >
> > November 7-8, 2025
> >
> > Centre for Culture and Technology, University of Toronto
> >
> > “Media theory seems eclipsed by the ubiquity of its
> objects” (Rossiter,
> > 2017). This observation from the inaugural issue of our
journal//
> is no
> > less relevant today. While Ned Rossiter’s focus was on the
> prevalence of
> > fake news and on paranoia as a methodological tool, the
> installation of
> > media forms in all aspects of life continues to present acute
> practical,
> > cultural, affective, and epistemological
challenges—perhaps more
> than
> > ever. Automation, algorithmic governance, and ecological
crises
> together
> > with accelerationist billionaires and the declining
influence of
> > activist networks are all intensified by the unraveling of
> geopolitical
> > order and resurgence of fascism worldwide. This reality
presents
> > significant risks and yet has become a commonplace feature
of our
> daily
> > existence.
> >
> > The /Media Theory /journal was launched in 2017 to address
these
> > mounting challenges by way of /deprovincializing/ the
field of
> inquiry:
> > to disentangle media theory from a predictable
constellation of
> > industries, disciplines, traditions, and regions, and
equally to
> > question what it means to theorize in a context where, as M.
> Beatrice
> > Fazi (2017) writes, “high-speed computational operations
are now
> driving
> > both invention and discovery.” In addressing these critical
> needs, the
> > journal was inspired by a further, and admittedly more
> speculative aim
> > to move academic publishing towards radical alternatives and
> > experimentation, to push the boundaries of what a journal
can be,
> and
> > ultimately, “to develop a transnational and transdisciplinary
> forum of
> > debate on media theory and academic publishing” (Dawes,
2017).
> >
> > Ahead of the journal’s tenth anniversary, we invite
proposals for
> papers
> > for the inaugural conference of the Media Theory Association,
> held on
> > Friday November 7^th and Saturday November 8^th , 2025,
at the
> Centre
> > for Culture and Technology, University of Toronto. **
> >
> > Contributions in any aspect of media theory are encouraged,
> including
> > the following:
> >
> > - Rethinking definitions of ‘media’, ‘communication’ and
> ‘communications’;
> >
> >
> > - Rethinking distinctions between ‘theory’, ‘theories’ and
> ‘philosophy’;
> >
> >
> > - Transcending disciplinary boundaries and deprovincializing
> theoretical
> > debate;
> >
> >
> > - Readdressing neglected theorists and proposing alternative
> histories
> > of media theory;
> >
> >
> > - Critiquing blindspots in dominant approaches and critically
> engaging
> > with alternative or marginalized perspectives;
> >
> >
> > - Debating openness, independence, open access,
peer-review and
> the role
> > of an academic journal.
> >
> > Proposals of up to 500 words, accompanied by an indicative
> bibliography
> > and a short biographical note, for 15-minute papers should be
> sent to
> > the editors of the journal, Simon Dawes (UVSQ-Paris Saclay,
> France) and
> > Joshua Synenko (Trent University, Canada), at
> > (editors /at/ mediatheoryjournal.org)
<mailto:(editors /at/ mediatheoryjournal.org)>
> <mailto:(editors /at/ mediatheoryjournal.org)
<mailto:(editors /at/ mediatheoryjournal.org)>>
> <mailto:(editors /at/ mediatheoryjournal.org)
<mailto:(editors /at/ mediatheoryjournal.org)>
> <mailto:(editors /at/ mediatheoryjournal.org)
<mailto:(editors /at/ mediatheoryjournal.org)>>>by
> > June 30^th 2025. Please use the subject heading “Media Theory
> > Conference.” Decisions will be confirmed by July 15^th 2025.
> >
> > Participants will also be encouraged to submit full
article length
> > versions of their conference papers to the journal by
March 1^st
> 2026.
> > Following the usual peer-review process, accepted articles
will be
> > published in the fall of 2026.
> >
> > ABOUT THE JOURNAL
> >
> > Media Theory (mediatheoryjournal.org
<http://mediatheoryjournal.org> <http://
> mediatheoryjournal.org <http://mediatheoryjournal.org>>
<http://mediatheoryjournal.org/ <http://mediatheoryjournal.org/>
<http://
> mediatheoryjournal.org/ <http://mediatheoryjournal.org/>>>)
> > was established in 2017 as an independent (scholar-led),
online and
> > (libre) open access journal of peer-reviewed, theoretical
> interventions
> > into all aspects of media and communications. Resolutely
> international
> > and interdisciplinary in scope, the journal encourages
> submissions that
> > critically engage with the theoretical frameworks and
concepts
> that tend
> > to be taken for granted in national or disciplinary
perspectives.
> > Following the inaugural issue of ‘Manifestos’ from the
editorial
> > collective, the journal has published special issues on
‘Geospatial
> > Memory’, ‘Revolting Media, ‘Rethinking Affordance’,
‘Mediating
> > Presents’, ‘Into the Air’, ‘Pharmacologies of Media’,
‘Critique,
> > Postcritique and the Present Conjuncture’ and ‘Seeing
> Photographically’,
> > as well as special sections on Ed Herman, Paul Virilio,
Michel
> Serres,
> > Lauren Berlant and Charles W. Mills, with forthcoming
issues on
> > ‘Stimulating Media’, ‘Videogame Theory’ and ‘Transnational
> Technocultures’.
> >
> > Although the journal privileges an emphasis on theory, the
> editors are
> > not only concerned with theory for theory’s sake. Rather,
we are
> > interested in how theoretically-informed and -engaged
> interventions can
> > contribute to the interpretation of empirical research and
> critique, as
> > well as to the deprovincialization of theoretical debate –
> helping us
> > understand, rather than dismiss or describe, objects of
critique,
> and
> > making us reconsider the validity, efficacy and legitimacy
of our
> own
> > particular methodological approaches.
> >
> > ABOUT THE KEYNOTE SPEAKERS
> >
> > Shane Densonis Professor of Film and Media Studies and, by
> Courtesy, of
> > German Studies and of Communication at Stanford
University, where he
> > also serves as Director of the PhD Program in Modern
Thought &
> > Literature. His research interests span a variety of
media and
> > historical periods, including phenomenological and media-
> philosophical
> > approaches to film, digital media, and serialized popular
forms.
> He is
> > the author of /Post-Cinematic Bodies /(meson press, 2023), /
> > Discorrelated Images/ (Duke University Press, 2020) and /
> Postnaturalism:
> > Frankenstein, Film, and the Anthropotechnical
> Interface/ (Transcript-
> > Verlag, 2014) and co-editor of several collections:
/Transnational
> > Perspectives on Graphic Narratives**/(Bloomsbury, 2013),
/Digital
> > Seriality/ (special issue of /Eludamos: Journal for
Computer Game
> > Culture/, 2014), and /Post-Cinema: Theorizing 21st-Century
> > Film/ (REFRAME Books, 2016). See shanedenson.com
<http://shanedenson.com> <http://
> shanedenson.com <http://shanedenson.com>> <http://
> > shanedenson.com/ <http://shanedenson.com/>
<http://shanedenson.com/ <http://shanedenson.com/>>>for more
information.
> >
> > Alessandra Renzi is Associate Professor of Communications,
Concordia
> > University. Dr. Renzi’s interdisciplinary work explores the
> linkages and
> > relays between media, art and civic engagement through
community-led
> > research, ethnographic studies and media projects. She has
studied
> > pirate television networks in Italy, the surveillance of
social
> > movements in Canada after 9-11 and housing and data
justice in
> Indonesia
> > and Canada. Her current research investigates how society’s
> increasing
> > reliance on platforms, algorithms and AI is changing urban
> landscapes
> > and community organizing alike. She is the PI of a Social
> Sciences and
> > Humanities Research Council (SSHRC) Insight Grant titled
“On the
> Margins
> > of the Platform Economy: Community-led Responses to Technical
> > Gentrification,” with focus on Montreal’s Parc Extension
> neighbourhood.
> >
> > ABOUT THE VENUE
> >
> > The Centre for Culture and Technology is dedicated to
theoretical,
> > aesthetic, and critical inquiry into the ways contemporary
media
> shape
> > contemporary forms of experience and our prospects for living
> together
> > and relating to one another in an interconnected world. In
this
> project,
> > the Centre draws inspiration from Marshall McLuhan’s
humanistic
> > intellectual and institutional legacy. In his words, “The
object
> of the
> > Centre is to pursue by a wide variety of approaches an
investigation
> > into the psychic and social consequences of
technologies.” The
> Centre's
> > pursuit of this investigation is dedicated not only to
contemporary
> > media and its effects, but also to the contemporary critical
> approaches
> > necessary for understanding our media: feminist, queer,
> decolonial, and
> > antiracist.
> >
> > Because humanistic media studies gets on in conversation with
> artists
> > and their work, the Centre will not only pursue humanistic
> inquiry into
> > contemporary media, but will also foster aesthetic
> experimentation as a
> > mode of inquiry. McLuhan taught that “media alter our sense
> ratios.” He
> > also wrote that it is artists who are able to grasp such
changes in
> > experience, to bring news of such changes, and to make
those changes
> > matters of common concern. Taking this charge seriously, the
> Centre will
> > support the production of and conversation about contemporary
> media art.
> > It will also support the study of a wide variety of aesthetic
> media—fine
> > art, literature, cinema, music, and so on—for their
lessons in
> reckoning
> > with contemporary media. It will, finally, support the
study of
> media
> > aesthetics in an expanded sense, promoting inquiry into
the ways
> > technological media shape contemporary experience, by
elaborating
> its
> > histories, its problems, its infrastructures, and its
politics.
> >
> > The Centre offers both a setting and an institutional
framework
> for this
> > inquiry, providing space and programming for scholars
working in
> > humanistic media studies across the three campuses of the
> University of
> > Toronto and in the GTA.
> >
> >
>
> --
>
-------------------------------------------------------------------------
> Nico Carpentier
>
-------------------------------------------------------------------------
> Web: http://nicocarpentier.net/ <http://nicocarpentier.net/>
<http://nicocarpentier.net/ <http://nicocarpentier.net/>>
>
-------------------------------------------------------------------------
> New book out now:
> Democracy and Media in Europe: A Discursive-Material Approach
> by Nico Carpentier, Jeffrey Wimmer
> https://doi.org/10.4324/9781003485438
<https://doi.org/10.4324/9781003485438> <https://
> doi.org/10.4324/9781003485438
<http://doi.org/10.4324/9781003485438>>
> ----------------------------
> The Construction of the Future of Platforms
> Special CEJC issue, Vol. 17, No. 1(35) (2024)
> https://journals.ptks.pl/cejc/issue/view/vol17-no1-35-spec-2024
<https://journals.ptks.pl/cejc/issue/view/vol17-no1-35-spec-2024>
>
<https://journals.ptks.pl/cejc/issue/view/vol17-no1-35-spec-2024
<https://journals.ptks.pl/cejc/issue/view/vol17-no1-35-spec-2024>>
>
-------------------------------------------------------------------------
> Charles University
> Institute of Communication Studies and Journalism
> Smetanovo nábřeží 6, 110 01 Praha 1, Czech Republic
> ----------------------------
> International Association for Media and Communication Research
> http://iamcr.org/ <http://iamcr.org/> <http://iamcr.org/
<http://iamcr.org/>>
> ----------------------------
> SQRIDGE ngo
> An intersection of academia and arts
> http://www.sqridge.org/ <http://www.sqridge.org/>
<http://www.sqridge.org/ <http://www.sqridge.org/>>
> ----------------------------
> Tallinn University
> Baltic Film, Media and Arts School
> https://www.tlu.ee/en/bfm <https://www.tlu.ee/en/bfm>
<https://www.tlu.ee/en/bfm <https://www.tlu.ee/en/bfm>>
> ----------------------------
> The Commlist
> http://commlist.org/ <http://commlist.org/> <http://commlist.org/
<http://commlist.org/>>
>
-------------------------------------------------------------------------
> Web: http://nicocarpentier.net/ <http://nicocarpentier.net/>
<http://nicocarpentier.net/ <http://nicocarpentier.net/>>
> E-mail (CharlesU): (nico.carpentier /at/ fsv.cuni.cz)
<mailto:(nico.carpentier /at/ fsv.cuni.cz)>
> <mailto:(nico.carpentier /at/ fsv.cuni.cz)
<mailto:(nico.carpentier /at/ fsv.cuni.cz)>>
> FB: nico.carpentier.3
> Mastodon: @nicocarpentier@sciences.social
> Room (CharlesU): Hollar building Room 118
> Phone (CharlesU): +420 222 112 231
>
-------------------------------------------------------------------------
>
>
> --
>
>
> *Upozornění :*****
>
> *Není-li v této zprávě výslovně uvedeno jinak, má
> tato e-mailová zpráva nebo její přílohy pouze informativní
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> zpráva ani její přílohy v žádném ohledu Univerzitu Karlovu k
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nezakládá
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e-mail
> nebo
> některá z jeho příloh osobní údaje, dbejte při jeho dalším
zpracování
> (zejména při archivaci) souladu s pravidly evropského
nařízení GDPR.*
>
> *
> *
>
> *Disclaimer:*****
>
> *If not expressly stated otherwise, this e-mail message
> (including any attached files) is intended purely for
informational
> purposes and does not represent a binding agreement on the
part of
> Charles
> University. The text of this message and its attachments
cannot be
> considered as a proposal to conclude a contract, nor the
acceptance
> of a
> proposal to conclude a contract, nor any other legal act
leading to
> concluding any contract; nor does it create any pre-contractual
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> on the part of Charles University. If this e-mail or any of its
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>
>
>
> --
>
> Assistant Professor & Graduate Director
>
> Department of Cultural Studies
>
> Trent University
>
> Co-editor, /Media Theory <http://mediatheoryjournal.org
<http://mediatheoryjournal.org>>/
>
> joshuasynenko.com <http://joshuasynenko.com>
<http://joshuasynenko.com <http://joshuasynenko.com>>
>
--
-------------------------------------------------------------------------
Nico Carpentier
-------------------------------------------------------------------------
Web: http://nicocarpentier.net/ <http://nicocarpentier.net/>
-------------------------------------------------------------------------
New book out now:
Democracy and Media in Europe: A Discursive-Material Approach
by Nico Carpentier, Jeffrey Wimmer
https://doi.org/10.4324/9781003485438
<https://doi.org/10.4324/9781003485438>
----------------------------
The Construction of the Future of Platforms
Special CEJC issue, Vol. 17, No. 1(35) (2024)
https://journals.ptks.pl/cejc/issue/view/vol17-no1-35-spec-2024
<https://journals.ptks.pl/cejc/issue/view/vol17-no1-35-spec-2024>
-------------------------------------------------------------------------
Charles University
Institute of Communication Studies and Journalism
Smetanovo nábřeží 6, 110 01 Praha 1, Czech Republic
----------------------------
International Association for Media and Communication Research
http://iamcr.org/ <http://iamcr.org/>
----------------------------
SQRIDGE ngo
An intersection of academia and arts
http://www.sqridge.org/ <http://www.sqridge.org/>
----------------------------
Tallinn University
Baltic Film, Media and Arts School
https://www.tlu.ee/en/bfm <https://www.tlu.ee/en/bfm>
----------------------------
The Commlist
http://commlist.org/ <http://commlist.org/>
-------------------------------------------------------------------------
Web: http://nicocarpentier.net/ <http://nicocarpentier.net/>
E-mail (CharlesU): (nico.carpentier /at/ fsv.cuni.cz)
<mailto:(nico.carpentier /at/ fsv.cuni.cz)>
FB: nico.carpentier.3
Mastodon: @nicocarpentier@sciences.social
Room (CharlesU): Hollar building Room 118
Phone (CharlesU): +420 222 112 231
-------------------------------------------------------------------------
--
*Upozornění :*****
*Není-li v této zprávě výslovně uvedeno jinak, má
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--
Assistant Professor & Graduate Director
Department of Cultural Studies
Trent University
Co-editor, /Media Theory <http://mediatheoryjournal.org>/
joshuasynenko.com <http://joshuasynenko.com>
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