Archive for calls, December 2023

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[Commlist] CFP ReFocus Penny Marshall

Wed Dec 13 16:22:12 GMT 2023




*NEW DEADLINE 26^th January 2024*

*Call for Papers: ReFocus: Penny Marshall*

**

2023 marks 35 years since Penny Marshall became the first woman director to make over $100 million at the American domestic box office with hit comedy /Big/, widely recognised as Tom Hanks’ breakthrough movie. Marshall started out as an actor, most famously appearing as Laverne in the TV series /Laverne and Shirley/. This was followed by an impressive career as a director, starting out with the little known /Jumpin’ Jack Flash/ in 1986, before overseeing the massive success of /Big/ (1988), then directing the Oscar-nominated /Awakenings/ (1990) and the much-loved /A League of Their Own/ (1992). In later life Marshall continued to direct, as well produce for film and television. Marshall’s death in 2019 was followed by an outpouring of grief from her contemporaries, evident in social media and obituaries that noted her significance and influence as a trailblazer for women in Hollywood. Despite Marshall’s achievements and influence in the film industry, there is no academic work focused on her or her films, and she is rarely discussed in histories of Hollywood.

Following on from the University of Leicester’s recent one-day symposium on the 35^th anniversary of /Big/, this new collection aims to redress the relative paucity of work on Penny Marshall and her films. We welcome proposals focused on any aspect of Marshall’s work and influence in Hollywood’s creative output and industrial structures. The collection will aim to re-evaluate Marshall’s work, her life and her place in Hollywood’s history. It will also aim to understand how Marshall opened a space for those women directors who followed in her footsteps to break further boundaries in Hollywood.

*Topics for proposals may include, but are not limited to:*

  * Explorations of Marshall’s films (for example, regarding stars,
    genre, authorship, recurring themes, social politics etc.)
  * Analysis of Marshall’s lesser-known films such as /Jumpin’ Jack
    Flash/, /The Preacher’s Wife/ and /Riding in Cars with Boys/
  * Marshall’s career and her status as a director for hire
  * Marshall’s early work as an actress and her role in /Laverne and
    Shirley/
  * Marshall’s films within a wider historical/film studies context
  * Marshall’s role as a producer, director of television and/or actress
  * Marshall’s importance and influence within Hollywood and beyond

Abstracts for chapter suggestions should be approximately 400 words, and accompanied by a short biography.

Please send proposals and any informal enquires to Dr Claire Jenkins (University of Leicester) and Dr James Russell (De Montfort University) on (cmj23 /at/ leicester.ac.uk) <mailto:(cmj23 /at/ leicester.ac.uk)> and (jrussell /at/ dmu.ac.uk) <mailto:(jrussell /at/ dmu.ac.uk)>.

The new deadline for proposals is *Friday 26^th January 2024*


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