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[Commlist] cfp: Methodologies for Screen Industries Research
Tue Oct 22 16:54:08 GMT 2019
*Call for Papers: *Methodologies for Screen Industries Research:
Symposium, book launch and lecture with Professor Annette Hill, ‘Media
Industries and Audience Research: an analytic dialogue on the value of
engagement’
*Venue: *Watershed Cinema and Digital Creativity Centre, Bristol
**
*Date: *Wednesday 15 January 2020
*Keynote*: Professor Annette Hill (Lund University, Sweden)
*Cost*: £50 for academics with institutional support; free for students
and those without institutional support
_Symposium_
__
Industry-focused research projects and publications have increased
significantly in recent years, and the research methods involved in this
work are as diverse as the field itself – from archival research,
interviews and participant observation to focus groups, questionnaires,
surveys and statistical analysis.
Yet what exactly does each of these methods involve in practice? What
are their advantages and disadvantages? Moreover, how should the
researcher navigate the myriad ethical issues involved in using them?
With a handful of exceptions (Freeman 2016; Paterson et al 2015), in
recent years there has been little focused discussion on the
methodological processes that underpin screen industries research. This
event will address that need, and aims to bring together leading
scholars working in the field alongside those who are new to
industry-focused research, including post-graduate research students.
The first part of this event consists of a symposium dedicated to
exploring the methodologies used in screen industries research. The
symposium will consist of a keynote address by Professor Annette Hill
followed by two consecutive sessions either side of lunch. The first
session will consist of 5 x 15-minute presentations exploring
methodologies used in particular screen industries research projects.
The second session will consist of more informal, roundtable-style
discussions focusing on particular methods, chaired by researchers
experienced in using them.
We therefore invite two kinds of proposals:
1.15-minute presentations on project methodologies;
2.Chairs for roundtables on particular research methods: please detail
which methods you would like facilitate discussion about and your
experience in using them.
Proposals of not more than 300 words should be sent as an email
attachment in Word or PDF format to (stephen2.presence /at/ uwe.ac.uk)
<mailto:(stephen2.presence /at/ uwe.ac.uk)>. Proposals should include an email
address, institutional affiliation and approx. 100-word speaker bio.
Please use the following name convention for attachments:
‘Surname_presentation_topic’ or ‘Surname_roundtable_topic’. The deadline
for proposals is*_November 1 2019_*. We aim to respond to proposals by
November 15. Links to registration and further information will be
released shortly thereafter.
_Book launch and lecture with Professor Annette Hill_
__
Symposium attendance also includes entry to a book launch and lecture
with Professor Annette Hill at Bristol’s Arnolfini gallery. A leading
figure in media production and audience research, Professor Hill’s new
book, /Media Experiences: Engaging with Drama and Reality Television/
(Routledge 2019), bridges the divide between industry and academia, and
draws on interviews and observations with over 500 producers and
audience members to explore how producers and audiences co-create
experiences within emerging media landscapes.
*Acknowledgements*
This event is funded by the British Association of Film, Television and
Screen Studies (BAFTSS) in partnership with the Moving Image Research
Group at the University of the West of England (UWE Bristol), and is
organised by BAFTSS’ Screen Industries’ Research Group.
**
*References*:
Freeman, Matthew. /Industrial Approaches to Media: A Methodological
Gateway to Industry Studies. /Palgrave Macmillan, Basingstoke, 2016.
Paterson, Chris, et al. /Advancing Media Production Research: Shifting
Sites, Methods, and Politics. /Palgrave Macmillan, Basingstoke,
Hampshire, 2015.
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