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[Commlist] CFP:International Conference Relevance
Tue Oct 15 10:11:20 GMT 2019
*RELEVANCE*
*60th Annual Conference of the Estonian National Museum*
5.-7. May 2020 in Tartu, Estonia
Organiser: Estonian National Museum
Keynotes: Jette Sandahl (Denmark), Nancy Proctor (USA)
Conference Webpage: http://enmconferences.ee/relevance-2020
/A good museum is one which I come out feeling better than when I went in. /
Kenneth Hudson
This quote from Kenneth Hudson sets up a discussion on the relevance of
museums in the context of museum audiences, approaching museums as means
of communication.
A good museum is primarily one which provides good service to its
visitors, interpreting widely the usefulness of a museum for the community.
The number of excellent museums is increasing. Yet across Europe,
different studies indicate that the numbers of cultural and arts
audiences are dropping,
despite innovative approaches to cultural services and continuous
professionalization of cultural organisations. Are cultural institutions
still relevant?
Apprehending its responsibility as the recipient of the Kenneth Hudson
award (EMYA, 2018), the Estonian National Museum dedicates its 60th
annual conference
to the relevance of contemporary museums, looking for the formula to the
‘good museum’, delivering exceptional quality to the public.
The ENM received the award for its complete renewal of the museum both
in terms of facilities and content. The museum deals with complex and
controversial histories
in order to create a cultural dialogue that brings the past together
with the future. With the museum’s renewal, we set out on a path that
engages different people and opinions
and makes history multivocal. As the jury put it, the ENM’s dialogical
approach to everyday life and oral histories has renewed the meaning of
the national museum.
The approach for museum renewal at the Estonian National Museum was set
in a particular societal context and with particular expectations.
We would like conference speakers to contribute to this discussion,
focusing attention on the particular contexts in which contemporary
museums operate.
What are the key issues in retaining relevance, and why? We are open to
different approaches as well as contributions that are original in their
agenda-setting.
The relevance of the museum has undergone a strong shift towards the
economic imperative: measuring audience figures and assessing quality of
the service,
using integration of business and management models in interpreting and
communicating impact. Although these approaches can be helpful for
evaluating organisational goals
and the position in the market of cultural services, they alone are
insufficient in understanding the values and giving meaning to the museum.
What is needed is an exploration and a valuing of what culture actually
does and how it affects the contemporary public sphere. The cultural
dimension plays a fundamental role
in the process of creating quality in different ways, not only in the
framework of economics. The artful, experimental, people-centred,
inspirational and intellectually honest museum
makes people feel welcome and has the potential for immense social and
cultural value.
The social relevance of the museum is intertwined with public trust.
They are among the most trusted institutions, addressing important
issues of the current era.
Access to, and the transparency of, the organisation are also relevant:
public trust is essentially about providing access.
Relevance is a basic quality of audience development and relationship
building, present in all core museum functions. A number of other
significant aspects
contributing to the relevance and quality of the museum, which we see as
worth discussing on the occasion of the 60th annual conference, are:
- Museums are perceived as spaces where one can spend leisurely and
educational time, but are they also expected to be public and civic
spaces, meeting places for people of all ages?
- Is it more important that museums tackle burning social issues and
ethical questions,
or are they more relevant as places that first and foremost
promoting the well-being of their audiences?
- How should museums best serve both those who want museums to take a
stand for social issues,
and those who are perhaps uncomfortable about being confronted with
sensitive or political subjects?
- Should museums take some risks in order to perpetuate the myth that
the knowledge they present is objective?
What is the status of scientific knowledge production at museums
and does this knowledge contribute to the relevance of the museum?
- In order to remain relevant, do collections need more openness and
collective contributions,
or should they be thoroughly framed and secured by the established
boundaries of scientific disciplines to increase the value and potential
of knowledge protection?
- Should museums have an environmental conscience and a commitment to
sustainability?
- What kinds of approach have you applied in your museum practice to
finding relevance?
How do you know whether you have been successful or have failed?
How do you find out what is missing?
- Is there a difference between success and relevance?
We welcome paper proposal from both museum professionals and academic
researchers.
The conference language is English.
Please submit your abstract of 300 words for a 20‐minute paper, along
with a short CV, by November 20, 2019 to: (conference /at/ erm.ee)
<mailto:(conference /at/ erm.ee)>
The conference fee covers attendance at all sessions, lunches and
coffee/tea breaks during the conference, the welcome reception, and
conference materials.
The date and venue of the conference is May 5-7 2020, at the Estonian
National Museum, Tartu, Estonia.
Notification of acceptance: December 3, 2019
Deadline for registration and conference fee payment: March 30, 2020
Early bird – 1.03.2020
We expect to publish an edited collection based on a selection of the
papers presented at the conference.
Conference event on facebook:
https://www.facebook.com/events/977916072559237/
Conference Committee:
Dr Pille Runnel, Estonian National Museum
Agnes Aljas, Estonian National Museum
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