[Commlist] CFP Drone Cultures Symposium

I’m very pleased to announce this Call for Papers for Drone Cultures 
<https://www.dronewitnessing.com/>, an interdisciplinary symposium, 30 
April – 1 May, at UNSW Sydney, with a keynote from Professor Caren 
Kaplan (University of California, Davis).

CALL FOR PAPERS: DRONE CULTURES | ABSTRACTS DUE: 30 November 2019

Drones swiftly moved from the margins of the military to reshape war and 
surveillance, but they have also had wide-ranging effects on fields as 
diverse as wildlife conservation, agriculture, visual art, climate 
activism, urban policing and television production. Drone vision is 
rapidly transforming visual culture, generating novel aesthetics, 
changing how the world is witnessed and enabling new capacities to see, 
know and control. At the same time, drones themselves have become 
objects of significance, eliciting anxiety and hope, fear and desire. 
Unsurprisingly, diverse cultures have sprung up alongside and in 
response to their proliferating presence and growing accessibility. All 
this makes it crucial to understand the similarities, differences and 
complexities of these technologies and their impacts on how we sense, 
feel, know and act in the world.

This two-day symposium brings together academics, artists and 
researchers to explore drone cultures from multiple perspectives and 
practices with the aim of generating dialogue across disciplinary 
boundaries to better understand the diversity of drones and drone 
cultures. How has drone vision influenced contemporary visual culture? 
How do practices, aesthetics, techniques and technologies move back and 
forth between military and non-military contexts? How have artists, 
writers and filmmakers critiqued, adopted and innovated drone 
technologies? How have drones changed how power is exercised and 
experienced? What cultures have sprung up around drones in conservation, 
activism, amateur photography and other contexts? How are drones and 
other remote sensing systems shaping and shaped by our desires and 
imaginaries? What does the proliferation of drones mean for the future 
of the human?

While approaches from across the humanities and social sciences are 
invited, this symposium also warmly welcomes perspectives from 
information science, engineering and robotics.

We invite proposals for academic papers, creative works and short 
documentaries. Academic papers can be full length (20 minutes) or 
provocations (7 minutes). Creative works and documentaries can be 
presented in panels alongside traditional papers if appropriate (20 
minutes) or screened, displayed or performed outside typical panels. 
Fully formed panels (3 x 20-minute presentations) can also be submitted.

  * Drone vision and perception
  * Drones in literature, cinema, theatre, art and elsewhere
  * Cultures of satellite and other remote sensing technologies
  * Drones in practice from war to science to activism

  * ​Cultures of drone design and development
  * Drone witnessing
  * Drone aesthetics
  * Politics and policy of drones
  * Drone futures and imaginaries
  * Drones and the posthuman
  * Ethics and care in drone design, use and development

Please send 200-word individual proposals, or 300-word proposals for 
complete panels, along with 100-word bios for all presenters, to Michael 
Richardson at *(dronecultures /at/ gmail.com)* by *November 30, 2019.*

**

/This symposium is funded by an Australian Research Council Discovery 
Early Career Researcher Award and hosted by the UNSW School of Arts and 
Media. More information on the ARC project “Drone Witnessing: 
Technologies of Perception in War and Culture” can be found at the 
project website:/https://www.dronewitnessing.com///

//

/​Drone Cultures acknowledge and pays respect to the Traditional 
Custodians of the land on which we work and live, particularly the 
Bedegal, Bidjigal and Gadigal Peoples, and their elders past, 
present,//and emerging. Sovereignty was never ceded, and the struggle 
for justice continues/


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