[Commlist] International postgraduate workshop on creative labour in East Asia and Beyond

Call for Papers
International postgraduate workshop on creative labour in East Asia and 
Beyond: work, subjectivity and alternatives in the global creative economies

Dates: 16 - 18 May 2019
Place: Beijing Normal University, Beijing, China

Convenors
Jeroen de Kloet (University of Amsterdam)
Anthony Fung (Beijing Normal University)
Yiu Fai Chow (Hong Kong Baptist University)
Jian Lin (University of Amsterdam)

We invite abstract submissions from post-graduate and Ph.D researchers 
to a workshop on creative labour in East Asia.

Generally all human labour is potentially embodied with creativity 
(McGuigan 2010: 324). In the past two decades, however, the circulation 
of capital has delimited creativity as a definitive feature that 
distinguishes certain occupations in the so-called creative industries. 
Policy makers around the globe, following the 1990’s British government, 
embrace the ‘creative industries’ discourse and trumpet creative work 
for its bohemian spirit, autonomy and playfulness. Nevertheless, 
critiques have noted that the real situation of creative work is not as 
autonomous, self-expressive and fulfilling as imagined 
by creative-industry policies. Creative workers have become a creative 
precariat, suffering under precarious working conditions and surrounded 
by problems such as short-term contracts, unequal earnings and a lack of 
unions (Curtin and Sanson, 2016; Hesmondhalgh and Baker, 2011). 
Discourses surrounding creativity function as elements connected by the 
‘creativity dispositif’, to implement job creation while also to 
discipline youthful population – to be creative (McRobbie 2016; Reckwitz 
2017).

Most of these claims are elaborated from the perspective of western, 
‘neoliberal’ creative industries. The critical language used often 
directs all discussion of ‘inequality’, ‘precarity’ and 
‘self-exploitation’ of creative labour towards a critique of 
‘neoliberalism’, thus running the risk of overlooking different 
socio-political contexts. The global hierarchy of creative industries 
and the national political atmosphere often affect the condition of 
creative labour and make the discourse of creativity function 
in different ways (Fung, 2016; Lin 2019). For example, in the case of 
China, culture and creativity are not only touted for ‘restructuring 
economy’, but also designated as instrument for wielding ‘soft power’ 
and maintaining social stability (Keane 2010).
·      How does the creativity dispositif function differently across 
different geo-political contexts, such as in East Asia?
·      Instead of grouping all the creative labourers as ‘precariat’, 
how do creative practitioners from different social, political contexts 
experience precarity differently?
·      How do these distinctive social contexts also result in different 
modes of governance and subjectification?
·      Where and how can we look for ‘alternatives’ – when we take the 
issue of contextuality into account, how can we conceive ‘good cultural 
work’ and to make creative labour ‘good work’ (Hesmondhalgh and Baker, 
2011)?

To bring the global perspective to the study of creative production and 
creative labour, this workshop invites scholars from both global and 
regional (East Asian) contexts to engage with the above questions on the 
labour issues in contemporary cultural production, and to reflect upon 
the possibilities for good work and alternative creative economies 
brought by the interaction between the global capitalism and the local 
geopolitical economy.

Abstracts (max. 300 words) and short biographical notes (max. 100 words) 
need to be submitted to (j.lin2 /at/ uva.nl) 
<mailto:(j.lin2 /at/ uva.nl)> by 7 February 2019. Accepted participants will be 
notified by 1 March 2019. Workshop participation is free of charge and 
we will cover the flight and accommodation expenses for selected speakers.

A selection of workshop papers will be published as special issue in a 
peer-reviewed journal.

The workshop is part of the 
ChinaCreative project (http://chinacreative.humanities.uva.nl) that is 
funded by a consolidator grant from the European Research Council. It is 
co-organized by the University of Amsterdam, Beijing Normal University 
and Hong Kong Baptist University.

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