Archive for calls, October 2017

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[ecrea] CFP--Reception Studies Society

Fri Oct 06 16:55:11 GMT 2017



Sent for Professor Daniel Morris at (dmorris /at/ purdue.edu):

The Reception Study Society is pleased to announce a call for essays on the histories, practices, and futures of fandom as it intersects with reception studies.  The proposed edited book collection, which will be submitted to Bloomsbury Academic for review, will include essays on fandom and the history of reading and the book, cultural studies, audience and communication studies, institutional studies, and interpretive strategies.

 The editors of this collection are seeking essays in all genres and historical periods. The editors, for example, would look forward to reading essays devoted to strategies of cultural consumption and unauthorized production in the Victorian period (that is, how fans treated Sherlock Holmes as a real person whose death was unimaginable; the frenzy surrounding performance tours by opera singer Jenny Lind, and the musical compositions of Richard Wagner; amateur-authored fanfiction serials such as Pickwick Abroad.)  The editors would equally like to see work on manifestations of fandom as a form of reception in relation to such contemporary phenomena as those surrounding Harry Potter, /Fifty Shades of Grey/, anime, cosplay (costume play), message boards, and gaming subcultures.

 The editors seek essays that examine theoretical issues and critical topics related to fandom as an active form of cultural reception that blurs the lines between production and consumption. Essays might explore, among other topics:

·         how the subcultural practice of fandom challenges ideas of authorship, originality, and copyright;

·         the question of fan labor and marketing in the modernist period of mass culture and in the digital period, replete with various narrowcastings of the audience;

·         the legal, ethical, and creative relationships of fanfiction and cosplay in relation to canonical texts;

·         the role of social media and social networking in the development of fandom;

·         the nature of amateurism, performance, and international and transnational contexts;

·         the relation of fandom to disease, disability, and mania;

·         conventions, collecting, fan mail, and pilgrimages;

·         issues of class, race, and gender constructions in reception/fandom.

If you are interested in contributing a chapter of approximately 15-30 pages please email the volume editor Professor Daniel Morris at (dmorris /at/ purdue.edu) with an informative abstract of at least 500 words, along with a biography indicating your current position, affiliation, and research interests. Abstracts should be not only a brief description, but also indicate research methodologies, case studies, and/or theoretical positions, along with conclusions drawn.

This call will close on December 15, 2017.




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